Desire, Under The Revolutionary Identity Narrative

When reviewing past research, we can find a fact that though we have already reached a high level in terms of understanding several classical desire of text of liberated area literature, we merely answered specific questions of specific writers and manifested special conditions of certain individuals rather than explicating the "syndrome** of the entire group of writers. There are also some conclusions made from a macroscopical perspective. Owing to shortage of a large volume of text materials, these conclusions, however, just answered those writers' dilemma between politics and art other than how they constructed revolutionary faith, mental discourse of desire as well as their artistic techniques, which is the very task that I want to achieve. It is from deeply research of first-hand original texts that I can reveal the soul orbit of the intellectuals living under the specific historical circumstances of literature areas, and make my own thinking to the reason which produces such phenomena.The entire thesis can be divided into 4 chapters except the preface and conclusion: Chapter One makes further explanations to relevant concepts and analyzes the reason that why revolution-recognized narratives can be established in liberated areas; Chapter Two introduces the writers' self-contradiction in discourse of desire, revealing the writers' anxiety and confusion; Chapter Three expounds the writers' tactics of constructing the desire orders, which further expresses the writers' intelligence and helpless of constructing text under specific historical background; Chapter Four explicates the writers' blind spots in their discourse of desire, that is, expressions of desires which should have been criticized but actually neglected by them, revealing the narrow vision of the group of writers.