A Study On The Revolutionary Narration Of Mao Dun's Literary Award Winning Works In The "Post-Revolutionary Atmosphere"

Because it expresses the discourse on the legitimacy of the regime,the revolutionary narration occupies an important position in the Chinese literary discourse map in the 20 th century.Taking Mao Dun Literary Award(hereinafter referred to as "Mao Award")as the representative of the mainstream Discourse value evaluation system,but also to this kind of "Chinese revolution" as a discourse resource of the narrative type has given a high favor.A look at the revolutionary narration in the winning works of the "Mao Award"(hereinafter referred to as the "Mao Award" revolutionary narration),we find that they present many characteristics of "post-revolution" compared with the traditional revolutionary narration(especially represented by the classical revolutionary narration),such as the affectionate imitation of human nature,the subversion of the concept of solemn revolution,and the entertaining play of revolutionary legends.In order to better understand the face and general evolution trajectory of the "Mao Award" revolutionary narration and interpret its connotation,this paper takes the revolutionary narration of "Mao Award" works as the research object,and takes the theory of "post-revolution" as the frame,tries to analyze the unique manifestation of the revolutionary narration of "Mao Award",in order to further enrich and perfect the research of.This paper is divided into four parts: the introduction briefly introduces the general rheological history of "revolution" to "post-revolution" and explains the related concepts,and also gives a general overview of the current research situation of the "Mao Award" in the academic circles and the writing ideas of this paper.The research data are vast,but there is relatively little literature on the overall study of its revolutionary narrative under the framework of "post-revolution".The first chapter briefly reviews the construction history of the revolution in different historical periods,and discusses the intrinsic relationship and difference between the two narrative modes in the past contrast of "revolutionary narration" and "post-revolutionary narration",that is,both take the history of Chinese revolution as the narrative resource,On the basis of inheriting the former partial narrative technique(legendary pen style and grand structure,etc),the latter tries to break through the bondage of the old historical view,and presents many modernity characteristics.The second chapter focuses on the main characteristics of the revolutionary narration of the "Mao Award",and summarizes the "post-revolution" representation of the revolutionary narration of the "Mao Award" in accordance with the chronological order of literary history,that is,the humanized complement of revolutionary narration in the context of the new enlightenment,the deconstruction rewriting of revolutionary narration in the new historicism trend of thought.The third chapter reflects on the limits and inadequacies of the narrative of "Mao Award" post-revolution,that is,the continuation of the myth of revolutionary Utopia under the influence of the thinking of "classical revolutionary narration",and the narration of revolution in the historical charm is bogged down in nihilism.The conclusion part summarizes the full text and puts forward some reasonable suggestions on the reform of the "Mao Award".