The Research Of Climbing Ci In The Southern Song Dynasty

Climbing literature is an important category of Chinese literature and one of the motifs of Chinese literature.Its creation has a long history and great achievements.As early as the pre-Qin period,there have been Climbing literature.In the Song Dynasty,the combination of the high development of the Ci and the Climbing literature produced the Climbing Ci.The development of the Climbing Ci in the Northern Song Dynasty was not fully mature,and it gradually became prosperous in the Southern Song Dynasty and reached its peak.At present,the academic research on the Southern Song Dynasty's ascending poetry has not yet formed a systematic thinking and observation.This paper intends to combine the social history of the Song Dynasty,the creation of the Song poetry and the changes of the mentality of the authors to deeply and systematically study the Southern Song Dynasty.This paper is divided into four steps:The first chapter outlining the evolution of Climbing literature.The number of Climbing literature in the pre-Qin period and the content were limited.The Climbing literature in the poetry of the Han Dynasty gradually developed into the main body.During the Wei,Jin,Southern and Northern Dynasties,Climbing literature developed rapidly,its creative group was complex,the number of works was numerous,and the subject was also richer than the previous;In the Tang Dynasty,Climbing literature has become an independent subject,not only with many writers,but also in the subject matter,artistic skills and other aspects of perfection.In the content of the theme of the Northern Song Dynasty,the Climbing Ci is expanded;in the creation style,the Xiaoling and the slow words coexist;at the style features,the graceful and the unconstrained.The second chapter discusses the theme and content of Climbing Ci in the Southern Song Dynasty.The content of Climbing Ci in the Southern Song Dynasty is abundant.The aspect of history is the highest in Jinling and Zhenjiang,and the quality is the best.The former express the feelings with the changeable history and the historical figures.The latter used the former war to send the Northern Expedition and called for the hero to fight against the war.In aspectof travelling,the writers express their thoughts on their hometown and country,reflect the sorrow of living hometown,the pain and the tiredness of their career.In aspect of landscapes,the main focus is on natural landscapes and human landscapes.The former focuses on the description the tide of Qiantang River,snow,rain and moon;the latter focuses on urban architecture and urban scenery.In aspect of festivals,it mainly involves four festivals,the Double Ninth Festival,the Mid-Autumn Festival,the Qing Ming Festival and the Cold Food Festival.The third chapter discusses the aesthetic characteristics of the Climbing Ci in the Southern Song Dynasty.The creation of Climbing Ci in the Southern Song Dynasty is mainly highlighted by the three rhymes.The style characteristics of Climbing Ci in the Southern Song Dynasty are mainly manifested in three aspects: generosity and tragedy,depression and sadness,Chaomai and philosophy.The image selection of Climbing Ci in the Southern Song Dynasty focuses on human imagery and natural imagery.The former focuses on military imagery,archaeological imagery and architectural imagery;the latter focuses on the description of three natural images of water,geese and mountains..The fourth chapter discusses the literary and cultural value of the Climbing Ci in the Southern Song Dynasty.Its literary value is mainly manifested in the two aspects of opening up the subject of Song Ci and expanding the lyric space of Song Ci.The cultural value is mainly reflected in the construction of the literary landscape and the inheritance of the festival folk custom.