Study On The Female Image Writing Of Huajian Ci

As the first anthology of literary poetry in the history of literature,Huajian Ji reflects the aesthetic taste and artistic paradigm of early literary poetry,which has been used for reference by later generations.The study of Huajian Ji has also attracted continuous attention from the academic circles.As the main object of Huajian Ji is women,this literary phenomenon has aroused great interest of the author,so this paper takes the female writing in Huajian Ji as the research object.This paper studies the creation background,types and characteristics of female images,writing angle of female images,cultural connotation of female images and aesthetic features of Huajian Ji,and explores the feminization characteristics and writing methods of Huajian Ji.The specific research contents are as follows:Chapter one explores the writing background of the feminization characteristics of Huajian Ji.First of all,under the influence of the political and cultural environment of Tang and Five Dynasties,Huajian Ci writers’ mentality and fashion and pleasure are the main factors;secondly,the Shu land in Bian’an corner lays the foundation for the life of Huajian Ci writers;lastly,the less rigorous creative form of Quzi Ci writers has become a breakthrough for Huajian Ci writers to vent their emotions.Under the influence of these three factors,Huajian Ci writers’ creative mentality has changed,and on this basis,they have promoted the change of their writing content and writing characteristics.Chapter two discusses the types of female images in Huajian Ji and their writing characteristics.There are many types of female images created by Huajian Ci poets,which can be summarized into two categories.One is the female images of all social strata in which Huajian Ci poets live.These female images include the image of women at the bottom,the image of noble women and palace women,and the image of female Taoist priests.The other is the female images in myths,legends and historical allusions.Huajian Ci writers’ writing characteristics of these female images are reflected in three aspects: one is complex and diverse,the other is enthusiastic and unrestrained,and the third is the use of diversified means.Chapter three studies the writing angle of female images in Huajian Ji.The writings of Huajian Ci poets on women’s images can be divided into three aspects: first,from the perspective of miss occurrence,women miss men,men Miss women and men miss each other,which are mainly reflected in the lyrics of love themes;second,from the perspective of women’s view of love,mainly including two situations: women’s yearning for love and women’s negative feelings.The third is to analyze the function of female images in Huajian Ci.The function of female images in Huajian Ci is embodied in two aspects.The theme is rendered by female images and the time is sighed by female images.Chapter four studies the cultural connotation and feminine outlook of female image writing in Huajian Ji.There are different types of women in Huajian Ji.These different types of women reflect the different cultural views of the poets: first,the sympathy of the poets for these women is reflected in the palace complaints and advocating excellent words;second,the political significance expressed by the poets by the women in the history-chanting ci;third,the description of love between men and women in the Hehuan CI reflects the liberation of the natural nature of the poets.These cultural connotations reflect Huajian Ci poets’ relatively progressive view of women.One is their appreciation of women,the other is their pity for women,and the third is the promotion of women’s status in their works.The fifth chapter studies the aesthetic characteristics of feminization in Huajian Ji.This is mainly based on the overall study of Huajian Ci writers’ creative mode,mainly from two perspectives,one is the perspective of image use,the other is the perspective of color use.Different images and colors play different roles in CI poems,and set off different emotional states of different types of women.What they have in common is that the images and colors used are consistent with women’s identity characteristics.