The Visual Expression Of The Image Of The Inheritor In The Non-legacy Documentary

The intangible cultural heritage contains immeasurable humanistic spirit.Each non-legacy culture embodies the regional values ??and ideological and moral consciousness of different ethnic groups in different historical periods and has played a significant role in restraining the common behavioral norms of local people.While promoting the traditional culture,the masses use the intangible cultural heritage as the carrier,which has exerted a subtle influence on the values ??of contemporary people.This influence first came from the inheritors of the intangible cultural heritage.The perseverance of the inheritance of intangible cultural heritage is the essence of the spirit of non-legacy.The non-legacy image is preserved and recorded through the documentary.And the non-legacy image has cultural value and dissemination significance with aesthetics,authenticity and intuitiveness.Because the inheritor is the core of communication and inheritance,the creation of the image of the inheritor is particularly important when creating non-legacy documents.In this paper,the portrayal of the inheritor He Liangcai in the documentary of the graduation work "Haizi Opera in the South Henan Rural Areas" illustrates the importance of the inheritor in the non-legacy image.After interviews with the inheritor He Liangcai,the present situation and dilemma of the inheritance of Haizi Opera are revealed in order to gain the public’s attention to non-legacy protection.Based on the graduation work "Haizi Opera in Southern Henan Country",this paper analyses the image expression of the inheritor in the non-relic documentary film,and explores its practical application in the documentary film.The full text is divided into five chapters.In the first chapter,the author discusses the origin of this topic from four parts with contains background,basis,literature review and research methods,and clarifies the importance of inheritor image presentation in non-legacy documentaries.Chapter two summarizes the multi-cultural value of non-relic documentaries from four aspects: historical and cultural records,rescue of endangered cultures,cultural collation and dissemination innovation,and enrichment of contemporary cultural forms.Chapter three analyses the status quo of inheritor image creation in documentary films from fouraspects: invisible,from human to non-legacy,conflict between character image design and non-legacy connotation,lack of sense of communication and storytelling.Chapter four explains the commonness of inheritance image in non-legacy documentaries from the point of view of character characteristics and personality.The fifth chapter mainly explores the strategies of portraying the inheritor image in the graduation work "Haizi Opera in South Henan Rural Areas" and non-legacy documentaries from three aspects:dramatic scene reproduction,sound recording of the situation and unique lens design.