| In western painting,there are many masters of art who have a great fascination with the language of light and shadow,the most obvious of which is the painting of the period from the Renaissance to the mid-19th century in Europe.In Western painting,light and shadow are used by most painters in the picture,is one of the most important elements.The expression and application of the light and shadow by the western painting masters make the western painting more dazzling in the world art treasure house.Whether a work can attract the viewer is not only related to the composition of the picture,the main content,the color and other elements,but also the processing of the light.We draw lessons from and absorb a lot of western light and shadow painting language in modern and contemporary painting,but light and shadow language does not exist only in western painting language,it has been discussed in the traditional painting theory of ancient China.Since the middle and late 1980s,light and shadow have gradually become an important language and element in the study and attention of modern and contemporary meticulous painters,especially in the development of modern painting,Liu Haisu.Xu Beihong and others combined the western painting method with traditional Chinese painting and created a number of new paintings,which brought a profound influence to the Chinese painting art in the future.Light and shadow play an important role in the creation of Chinese painting,and provide more possibilities for the development of Chinese fine painting.The main line of this paper is to explore the influence of the western light and shadow language on the space composition of the contemporary new craftsmanship,combined with the difference of the expression of light and shadow between the Chinese and the western painting under different times and cultural background.All the problems in trying to explain painting are light and its performance in new meticulous painters.This paper consists of five parts:the first part is the introduction of the purpose,significance,domestic and foreign development trends,research methods,research ideas and the innovation of the topic.The second part is about the description of the language of light and shadow in Chinese and western painting theory.The third part mainly expounds the function of the western light and shadow language in the space structure of the new meticulous pen,combining the works of contemporary meticulous painters such as Jinsha,Hang Chunhui,Zheng Qingyu,Qin Ai and so on,respectively from the light to the shadow to the picture form,the structure organization.Spatial level organization and the role in the creation of the picture atmosphere further elaborated.The fourth part is mainly to the new meticulous painter picture light and shadow application reason analysis.The first section mainly analyzes the external causes brought about by the frequent cultural exchanges between China and the West.The second section focuses on the painter innovative picture of the inherent needs.The fifth chapter mainly explains the understanding and practice of light and shadow in personal creation.Through their own theoretical knowledge,strive to the light and shadow this way of painting into the actual creation.Then the influence of light and shadow on my creation theme,composition,detail and emotion is expounded. |
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