A Research Of The Hebei Tian Chunniao's Bangzi Tone

As one of the most influential five major operas in China,Hebei Bangzi is an important part of China's outstanding traditional culture.However,during the course of its development,due to the large number of female actresses and their dominant position,the actor was forced to cope with false sounds so that they lost male characteristics,which also in turn restricted the development and survive of the production and became the obstacle and disadvantage to the sheng profession of Hebei.On the contrary,Mr.Tian Chunniao,a performing artist from Hebei,used the scientific method of vocalization to form a unique combination of true and false mixed sounds,which led the new aesthetic concept of timbre in Hebei's xiaosheng tone,and was named as “the authoritative xiaosheng of Hebei's Bangzi”.At the same time,he was also regarded as the inherit of Hebei Bangzi of national intangible cultural project.It completely reversed this disadvantage and made great contributions to the development of Hebei Bangzi.This thesis takes Tian Chunniao's xiaosheng tone of Hebei Bangzi,who is a performing artist of Hebei Bangzi,as the research object.From the perspective of music major,this thesis is divided into four parts to find out the reasons,background and process of the formation of Tian chunniao's tone,explore the style characteristics,aesthetic characteristics of the sound chamber interpretation and its modern transformation and contribution.After in-depth analysis and summarization,its inspiration to the development of xiaosheng tone of Hebei Bangzi and the teaching of national vocal music is obtained.The first part is an overview of xiaosheng tone of Hebei Bangzi,which is mainly from the historical development of Hebei Bangzi,the operation of the tone profession,and the development of tone.The second part analyzes the background,process,style characteristics and aesthetic characteristics of Tian Chunniao's tone.The third part mainly expounds the outstanding contribution of Tian Chunniao's tone to the development of Hebei Bangzi and the modernization transformation with the times.The fourth part introduces the development and research of the practice and research of the xiaosheng tone of Hebei Bangzi.In conclusion,Hebei Bangzi faces many problems,the scarcity of talents,the lack of stamina of the inheritors and the insufficiency of spreading traditional dramas in provincial universities and the shortage of communication,and so on.As a young man of the new era,we should take the initiative to shoulder the burden of inheritance.Through the musical analysis and detailed interpretation of Tian Chunniao's tone,it tries to provide standardized and scientific guidance tools and reference materials for the development and training of the xiaosheng actor in Hebei Bangzi.Then it would arouse the attention of music,vocal music and academic circles to Hebei Bangzi,launch a long-term dialogue between the development of the tone of Hebei bangzi and the theoretical and practical research of music and vocal music in colleges and universities,and promote mutual common development,by which it would make some contribution to the inheritance and development of Hebei Bangzi.