Aesthetic Characteristics And Lishu Practice Of Calligraphy In "Three Stone Monument Of Confucius Temple"

During the Eastern Han Dynasty,it was the heyday of the development of Lishu in the Han Dynasty,and the Lishu,which became mature,gradually became a formal font with strict laws.The East Han Dynasty has a strong wind in the monument,so it leaves many inscriptions for future generations.It is exquisite and spectacular.In addition,Zun Kong Chongru's thoughts have attracted more attention,so a large number of inscriptions have appeared.Most of the texts of the texts use Lishu.The librarians of this period are neat and solemn,with the spirit of the temple,and are stored in Qufu Hanwei.The "Yiying Monument","Liqi Monument" and "Shichen Monument" in the inscription exhibition hall are important historical facts for recording the activities of the Confucius at that time,and are called "Three Monuments at the Confucius Temple".Due to the influence of social and environmental factors at that time,the three inscription art styles were dignified and rigorous,and the strokes were straight and unbiased,in line with the moderate thoughts advocated at that time.At that time,there were changes in the thickness of the Lishu paintings,and the edges and corners were distinct,the body was flat,and the deduction between the paintings,the opening of the body,the tightening of the palace,and the artistic level of Lishu in the Eastern Han Dynasty.This paper mainly studies the artistic styles between three different inscriptions,and compares and discusses them.It further analyzes the historical position of the "Three Monuments of Confucius Temple" and its influence on later generations.I borrowed the calligraphy style of the above inscriptions,and here Based on the creation of Lishu.