A Pioneer Of Modern Chinese Art:Wang Dao Yuan

Wang Daoyuan,a pioneer in modern Chinese art history,is a pioneer in painting,drama and education.The origin of his artistic concept is related to the left wing culture,which causes Wang Daoyuan to not go to the road of modernism,but the open and inclusive artistic concept which he adheres to makes it a disseminator and practitioner of the new trend of thought during the Republic of China.In the field of Art:Wang Daoyuan from Japan,the Japanese Thai Toshima Takeji,as the few years in the 20-30 years of the Japanese graduate students of the choice of art,his choice of marriage,his paintings by the Republic of "Declaration","good friends" and many other newspapers to be affirmed.In the 1949-1951 years,the status of Guangdong's art circles has become increasingly prominent by drawing huge portrait of leaders.In the field of Drama:Wang Daoyuan's plays in the historical context of transformation,the interpretation of humanitarian drama.It is shown in compiling,guiding and acting in the miserable world,the night of the north,the night shop,and so on.During this period,the plays can be praised by Tian Han and Ni Yide,and together with Tian Han to cooperate "Carmen"and Hong Shen as the publicity stunt of the great summer drama society,all of which show the status and status of Wang's drama.Identification.In the field of Education:Wang Daoyuan is the practitioner of "ideal mode",opposing the gradually rigid system of academics and becoming the forerunner of the liberalization movement of children.In 1930,he founded the Shanghai Academy of art as a source of the spirit of hurricane and a hotbed of new trends of thought.As the president,Chen Baoyi,Ni Yide,Chen Zhifo,Zhu Yingpeng,Shen Jilu,Tan Shuzhen and other professors of art and music were taught.The school trained excellent modern Chinese talents,such as Yang sun,Yang Qiuren;Liang Xihong.Although he was unfortunate to be destroyed in the war,Chen was associated with the University of the Arts in China,which was compared to the Shanghai Academy of fine arts,and was proposed to be a better institution in the 1930 achievement exhibition.It is a pity that Wang Daoyuan is a "general talent" with a sense of double identity in art and drama,and the trace of an artist with considerable personality,which is both educationist and thinker,is buried by history.Fortunately,in recent years,the artist in China,Japanese scholars and the Guangzhou art museum have gradually made the artist reappear in the public view,but there is still a considerable gap in the study of Mr.Wang Daoyuan.By digging out the truth of the history of the Republic of China,searching for a brick and tile in the history of the Republic of China,exploring where Chinese art "comes from" is the key to the rediscovery of modern art.