Be Neither Friendly Nor Aloof

Wang Luyan,one of the representative writers of Chinese rural literature,has only 20 years' career creation.Wang Luyan's creation is closely related to the left-wing literature.Through the study of the relationship between Wang Luyan and the left-wing literature,it is possible to accurately grasp the ideological changes in his period of creation and the transformation of literary creation.The relationship between Wang Luyan's creation and left wing literature can be roughly divided into three stages.The first stage was Wang Luyan's early creation period,at this time the left-wing literature was in the embryonic stage,and Wang Luyan was deeply influenced by the anarchism and the humanistic thought of the western enlightenment,which kept him from the left-wing literature.In the second stage,with the continuous development of left-wing literature and the establishment of left-wing literature,the relationship between Wang Luyan and the left-wing literature was in a state of departure.In action,he maintained a distance from the left and did not join the left,which had the objective causes of his turbulence and teaching,as well as his subjective reasons for his own personality,anarchism and the influence of humanism in the western enlightenment.But in the creation,Wang Luyan gradually approached the left-wing literature,such as the works "countryside" and "wildfire" with a strong class color;the third stage,during this period,the war of resistance against Japan broke out,Wang Luyan was actively serving the war of resistance,and his literary creation also changed.At this time,Wang Luyan began to realize the necessity of learning Marx's theory,but unfortunately he didn't go deep into study before he died.Exploring the relationship between Wang Luyan's creation and left wing literature provides a new breakthrough for Wang Luyan's comprehensive understanding.The relationship between Wang Luyan's life and the left-wing literature is always the same.This gives readers and researchers a few mystical feelings and explores Wang Luyan from the angle of left-wing literature to help readers and researchers to understand Wang Luyan in a comprehensive and objective way.