A Metaphorical Inquiry Into The Intertextuality Of Poetry And Painting In Zhao Ji's Flower And Bird Painting

There is an inseparable origin between Chinese poetry and painting.Chinese poetry,lyrics,lyrics and paintings have their own artistic conception and style,while the flower and bird paintings of Zhao Ji,the emperor of the Northern Song Dynasty,have intertextual phenomena between their poems and paintings.Therefore,the metaphorical study of the intertextuality of poems and paintings in Zhao Ji's flower and bird is an innovative point.The implicit artistic conception of poetry comes from the silent pictures,and both poetry and painting are studied as a text to explore the hidden metaphorical meanings in their poems and paintings,starting from the collision and integration of time art and space art.From the perspective of semiotics,the theory of "intertextuality" explores the intertextual metaphorical relationship between poems and paintings in Zhao Ji's flower and bird paintings in Northern Song Dynasty of China,demonstrates this artistic phenomenon in Zhao Ji's art creation,while Zhao Ji of Huizong of Song Dynasty is the most representative figure of literati paintings.Nobody has tried to study his poems and paintings from the perspective of "intertextuality",the relationship between words and paintings,so this paper tries to start with his most representative flower and bird paintings and to explore the metaphor of intertextuality in the paintings.From the first part of Zhao Ji's flower-and-bird painting,the intertextual phenomenon of poetry and painting begins to analyze the objective environment of the Northern Song Dynasty and before,the painting tradition of blending poetry and painting and the appearance of intertextuality of poetry and painting.Under the subjective conditions,Zhao Ji's own artistic accomplishment and profound artistic and cultural background have laid the foundation for the formation of metaphorical phenomenon of intertextuality of poetry and painting in flower-and-bird painting.The second part is from Zhao Ji's flower-and-bird painting.The third part focuses on the metaphorical study of the intertextuality between Zhao Ji's flower-and-bird paintings to explore the metaphorical nature of the phenomenon of indirect intertextuality.The last part is the germination and enlightenment of the indirect intertextual metaphor in Zhao Ji's flower-and-bird paintings to contemporary art.