A Study On The Origin Of National Culture Of Contemporary Mongolian Writers' Chinese Short Stories(1949-1978)

Short and medium fiction is a style that grew up rapidly in the period of "seventeen years".From 1949 to 1978,Mongolian short stories in Chinese not only catalyzed the maturation of the style of middle and short stories in Mongolian literature,but also reflected the profound origin of national culture with meticulous and brilliant Mongolian cultural connotation.On the basis of extensive reference to the previous research,this paper takes 163 short stories written by 11 Mongolian writers from 1949 to 1978 as the research text,and studies them from three aspects: the historical background of the generation of this tendency,the connotation of national culture contained in the works and the origin of national literature.This paper mainly consists of introduction,body(three chapters),conclusion,reference,appendix and so on.The introduction part mainly introduces the reasons for choosing the topic,the general situation of the advance research,the research value,the research significance,the research object and the research methods.The main body consists of three chapters.The first chapter mainly makes a brief comment on the creation of short stories in contemporary Mongolian Chinese.Firstly,it summarizes the creation of Mongolian contemporary literature in the first 30 years;then it traces the reasons for the emergence of this writing tendency to the pluralistic humanistic environment where writers grew up and their special struggling life experiences;finally,it analyses the influence of Mongolian traditional culture on writers' works and briefly introduces their literary attempts.The second chapter mainly interprets the connotation of national culture in the novel.Firstly,it outlines the description of grassland scenery and customs in the novel;secondly,it analyses the content of the novel;secondly,it analyses the authenticMongolian image in the novel;finally,it studies the Mongolian concept culture contained in the novel.The third chapter mainly traces back to the origin of the national literature in these novels.Firstly,it excavates the inheritance and development of Mongolian traditional literature such as heroic epics in the novel.Secondly,it analyses the Mongolian traditional literary images in the novel,such as "spring" and "horse".Then it analyses the innovations of the writers' works in Mongolian traditional literature and art,such as the application of "Bi,Xing" techniques.At last,it explains the reference of writers' works to foreign literature and art as well as the pursuit of nationalization,such as the influence of modern lyric novel and Russian-Soviet literature.The concluding part mainly summarizes the discussion of the body part.Subsequently,it includes references,thank-you speeches,papers published during the course of studying for a degree,etc.The appendix mainly includes the catalogue index of Mongolian short stories in Chinese from 1949 to1978.