Research On Mongolian Films And Artistic Conception

As the core category of Chinese classical aesthetics,artistic conception is the ideal aesthetic pursuit of Chinese traditional art.The artistic conception develops into poetry and extends to the art fields of painting,music,film,etc.,benefiting from the inter-connectivity of various art categories.This paper selects the artistic conception of Mongolian film as the research object,based on the research results of past artistic conception and the theory of film artistic conception,using Mongolian film as the carrier,analyzing the Mongolian movie from the two aspects of material reality and artistic expression.The composition of the artistic conception and the composition of the mirror language.The first part of the thesis combs the artistic conception of Chinese traditional aesthetics and the general situation of Chinese cinema artistic conception,expounds the relationship between the artistic conception of the film and the poetry and painting.The film integrates the expressive feelings of poetry and the imagery of the painting,thus producing sound painting.The high degree of integration of scenes and images creates the artistic conception of the film.The second part of the thesis mainly studies the material composition factors of the Mongolian theme movie.Because “view” is the mother body that creates the artistic conception of the movie,and the “view” in the movie is a concrete and distinct artistic image.Therefore,the “view” in the Mongolian theme film is divided into natural landscape and architectural landscape,through the grassland.The analysis of “view” such as rivers,yurts and satchels explores the “emotion” contained in “view” and studies the artistic conception of empathy and scene blending.The third part of the thesis analyzes the film language characteristics that constitute the artistic conception of Mongolian movies.Taking the film language of vision,close-up,long lens,empty lens and music as the starting point,the paper analyzes the comprehensive means of film artists using film art to pursue the artistic conception.The creative combination of painting creates a linguistic form of artistic conception.The fourth part of the thesis summarizes the whole text and discusses the relationship between the artistic conception and the Mongolian movie film art.It shows that the beauty of the artistic conception contained in the Mongolian theme film is consistent with the natural beauty pursued by the artistic conception.Studying Mongolian film with the concept of Chinese classical aesthetics,exploring the unique artistic style and national spirit of the Mongolian film itself,connecting the Chinese nation's aesthetic tradition with minority films,and cutting into a new perspective for the study of Mongolian movies.