Research On The Compositional Techniques And The Style Characteristics Of Suona Concerto Beckoning The Phoenix By Qin Wenchen

This dissertation is devoted to the research on the music expression of "grassland culture" in the Suona concerto "Beckoning the phoenix" by composer Qin Wenchen,clarifies and explains how the grassland culture,Mongolian and Tibetan religious culture and Mongolian folk music infiltrate into the composer’s music language.Through the specific research and analysis of music text,this dissertation reveals the creation track of the work "Beckoning the phoenix",as well as the inheritance and embodiment of traditional culture in Inner Mongolia.This dissertation totally includes five chapters,which are divided into three parts.The first part is an introduction and an overview of the research status at home and abroad.It also sorts out the creation background of Qin Wenchen and the composer’s "grassland culture" complex,and explores how it can be expressed and practiced in various music creations of composers.After that,combined with the analysis of the overall structure of the work "Beckoning the phoenix",the author explains the overall creative thinking and spiritual connotation of this work,which are the first and second chapters.The second part is the third and the fourth chapters,this part carries on the further discussion from the sound form annotation,the special timbre effect and the national instrumental music writing.Through the "single tone","wide line" composing techniques,acoustics and hierarchical aggregation,ostinato four composing techniques such as analysis,and the wind instruments,percussion,and instrument playing technique analysis,illustrate the logic of sound construction and the create thinking of the composer.The third part is the fifth chapter,summarizing the music expression method of "grassland culture" in the work "Beckoning the phoenix" and deeply exploring the aesthetic thinking and idea in the creation of composer Qin Wenchen.