Research On Feng Zi’s Literary Creation

Among modern and contemporary female writers,Feng Zi has a unique identity,which is the trinity of actor,editor and writer.Feng Zi active in the stage for more than 20 years and edited magazines such as “Women’s Monthly”,“The World” and “Play”.Her literary creation involves novels,essays,reviews,etc.At present,the research on Feng Zi mainly focuses on her novels in the 1940 s.In the only historical evaluation,she is positioned as an actress and writer.Feng Zi’s achievements in literary creation are yet to be explored.On the basis of sorting out historical materials and reading the text carefully,this paper tries to make a comprehensive study of Feng Zi and her creation,discusses the female self-growth and transformation contained in her unique identity and further explores the influence of her identity,growth and experience on her creation and the characteristics of her creation.This paper is divided into five parts,mainly discussed in the following aspects:The first part discusses Feng Zi’s unique identity as an actress,editor and writer.On the basis of a comprehensive analysis of Feng Zi’s stage career,editing work and creative activities,this paper discusses the female growth and transformation contained in Feng Zi’s unique experience.Feng Zi is a woman with a rebellious spirit.She fought against the feudal family and gradually broke away from the shackles of feudal thought and walked towards spiritual independence.The process of Feng Zi becoming an actress,editor and writer is also a process of new women’s self-growth.The second part discusses the influence of Feng Zi’s self-growth on the female writing in her works.To a large extent,Feng Zi integrated her own growing experience and experience into her creation,and made efforts to construct female discourse and explored the spiritual growth of women in the new historical period.On the issue of women’s way out,Lu Xun said in “What Happens after Na La Leaves”that Na La left “is not depraved,is to come back”.Feng Zi’s novel is a new reflection on the proposition of “What happensafter Na La?”The third part discusses the influence of the life experience of the war years on Feng Zi’s creation.The turmoil and suffering of the war years honed Feng Zi also made Feng Zi.The anti-Japanese War period is the peak of her creation.Feng Zi has written many works about the life experience during the war.She not only depicted the leisurely and quiet life picture but also paid more attention to the suffering during the war and sought the power of life in the suffering.The fourth part discusses the creation characteristics and value of Feng Zi’s nostalgic prose.Feng Zi walked between the stage and the literary world for decades,met a large number of literary and art celebrities.She wrote more than thirty essays recalling her past experiences with these cultural figures.This batch of prose which with straightforward and moderate feelings recalled the past,efforted to restore the historical scene,and dig cultural celebrities on the outstanding independent spirit.These essays have both emotional temperature and upward force.They also have historical data value and thought value.The fifth part discusses the influence of Feng Zi’s stage practice on the creation of drama criticism.In addition to novels and essays,Feng Zi also wrote a considerable number of drama reviews,which all started from her own performance and watching experience,showing the strong presence of the subject “I”.Feng Zi’s discussion on drama art involves performance skills,role analysis,actor’s accomplishment and the relationship between actors and directors etc.Because Feng Zi’s discussion starts from the stage practice and permeates her own experience,these theories are easy to understand and have practical guiding significance for the stage practice.