| Hu Qin,as a traditional string instrument,has gone through the change from solo instrument to duet instrument from its origin to development.This turning point is worth paying attention to and studying.The Huqin family has different forms and styles,and the Huqin in different regions has distinct characteristics under the influence of region and culture.Because the author learned erhu from an early age,he takes erhu duet works as the main object in his creation.In this paper,the author selected a total of five works,including erhu,Zhonghu,Sihu and deer head piano.These instruments are also more commonly used bow string instruments in Inner Mongolia.In his creation,the author creates different works of Hu Qin duet,from the development and utilization of Hu Qin in Inner Mongolia,melodic development techniques,harmony processing techniques,musical structure and design.The application of polyphonic techniques and the treatment of texture writing are summarized from six aspects.After a long period of development,the western composing technology has formed a more scientific system.It is essential to learn and use this knowledge to create.The traditional "four pieces" technology is the primary consideration in the creation of works.However,in the creation of Hu Qin duet with Chinese characteristics,especially the Mongolian style Hu Qin replay,we should fully take into account the national harmony,polyphonic,musical form,and even Inner Mongolia music vocabulary and other factors.A good work should not only have good inspiration and thought,but also have high technical and audibility.Uninspired technical music is empty,unskilled pure inspirational melody is lacking Supported.Therefore,in the creation,how to better combine the national elements with the western creative techniques is a long-term thinking and continuous exploration of the problem.In order to better solve this problem,the author will think about and discuss the creative experience gained from the creation of Hu Qin duet works. |
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