Ouyang Xiu’s Criticism And Reform To Parallel Prose On Northern Song Dynasty

The generation of parallel prose is closely related to the language features of Chinese classical literature,embodies the self-conscious pPursuit of formal beauty in literature.It is characterized by dual,rhetoric,after long-term development,having more beauty than plain prose.Tang and song dynasty prose have different characteristics.Parallel prose is mainly used in the manner of the imperial court official documents when the tang dynasty.Song dynasty scholars also have to learn to making parallel prose.,so many masters are also famous for writing it."Song hexagonw actually should contain different genres,suitable for different applications in the song dynasty.Ouyang Xiu advocated poetry innovation movement,in addition to restore the ancient plain,on the other hand also contains the criticism and reconstruction on parallel prose content.This article includes four chapters.The first chapter mainly introduces the background of Ouyang Xiu,s literary innovation,think that bear and mutual harmony is the main literature of this period.The second chapter studies the prose criticism theory of Ouyang Xiu.The first section discusses the utilitarian viewpoint of the formation and transformation,the second quarter thinks Ouyang Xiu’s prose identity is still based on the theory of common plain prose.The third chapter studies Ouyang Xiu literary creation practice of parallel prose,the prose is divided into self-made body and two kinds of endorsement.The fourth chapter discusses Ouyang Xiu prose innovation influence on the Song Dynasty literature.Ouyang Xiu inherited Han Yu and Liu Zongyuan article prose fiusion of tradition,creating a new world of literary creation.Under his influence,parallel prose and ancient prose to a more reasonable way.