"Movie Make The Drama More Perfect"-Study On Creation Of Opera Film Directors In Modern

In the long development and evolution of Chinese opera films,they have used their unique personality characteristics and aesthetic pursuits to “add a brick and mortar” to the diversification of Chinese movie styles.After more than a hundred years of development,drama films have become a way of national memory.Become an important carrier for the nationalization of Chinese movies.Throughout the development of the drama film,it experienced the exploratory period-the period of development-the golden period-the period of stagnation,all the way to go cautiously,walking on thin ice,it is undeniable that the drama film gradually decline.However,in the new era,modern media have given more space for the development of works of art,and the same is true for operatic film art: the involvement of modern means of communication has made it more “vital”,but behind it is inevitably its original artistic form.A "reconstruction" occurred and it was challenged.Therefore,this article will analyze the development trend of the new era drama film,and from the perspective of the drama film director to try to explore a creative drama film in the future,the text of this article is divided into four chapters:Chapter One: Analysis of the market trends of drama films under modern media in the new era: Under various policy cultures,the creation of drama films is showing a warming trend.Here is a new pattern and transmission characteristics of drama movies.Analysing and expounding,the modern communication media of the new era has,to a certain extent,undergone changes from concept to form in the original art work.The second chapter: Expounding the new construction of the idea of the director in the new era.Under the modern communication media,due to the new styles and characteristics of the drama films,the director's creative concept of the drama films can no longer be confined to the original—that is,to the discussion of the clear relationship between the “subject” and “movie”.Instead,it seeks a new form of mutual infiltration between the primary and the secondary;and it is proposed that such integration and infiltration is not a pleasant one.Instead,it is to find the combination of the aesthetic characteristics of the two artistic categories—“freehand” and “transfiguration”.And thus construct the aesthetic idea of creation.Chapter three: An analysis of the creative ideas of the director of a drama film.This chapter explores the creative tactics of the director of a drama film in practice,and proposes a directorial creation method of “shadow play”,and explains the drama script under this writing method.How to transform the four aspects of music,choreography,and performing,trying to sum up a certain creative direction.The fourth chapter: Finally,we look forward to the future development of the new era drama film,through the form of questionnaire survey,observe the current market and popularity of drama film,audience acceptance and consumption potential,in the data after an effective collation and analysis to find drama The benign development direction of the movie.