The Pattern And Emergent Quality Of The Narration Of "Mud Phaf-mid Phaf" Of Lahu Nationality

The narration of Peony Pamipa has both text narration and narrator narration.Li Zhage,Li Zhaluo,Li Zhamo,Li Nanu are the performers of "Mud phaf-mid phaf",they come from the same family of Lao da bao zhai and they have received outside attention under the influence of the intangible cultural heritage.They still play the oral text of "Mud phaf-mid phaf" and at the same time,a variety of "Mud phaf-mid phaf" text are spread in Lancang Lahu area.Different texts and different narratives show the pattern and emergent quality of Peony "Mud phaf-mid phaf".First of all,the different narrative texts of Peony "Mud phaf-mid phaf" originate from the performance of epic singers in the same region.The similar narration content results in three narrative themes and highly structured narrative time and space,sequence,motify,program,etc.However,due to the unknowable factors in the performance context and the bondage of the social and cultural context to "Mud phaf-mid phaf",the duration of the performance is related to the degree of interaction between the narrator and the audience,and the composition,content and meaning of the text are of the times.These become the emergent quality of the narration of Peony "Mud phaf-mid phaf".Secondly,the way of inheritance from the perspective of family inheritance and non-inheritance makes the contents and texts of Peony "Mud phaf-mid phaf" described by multiple individuals follow the three major themes of creation,war,and migration.However,different individuals still write their inner freedom in the similarity of Peony "Mud phaf-mid phaf".In the observation of style,body behavior and language translation,it can be seen that the Peony "Mud phaf-mid phaf" performed by multiple individuals has obvious differences.Finally,under the identity of "immaterial cultural inheritor",Li Zhamo interprets the fixed motify narrative of Peony "Mud phaf-mid phaf",which makes the content of "Peony Pamipa" always confined to a model frame.Under the identity of Christianbelievers,Li Zhamo shows the replacement of the narrative characters of Peony "Mud phaf-mid phaf",which is a mixture of Jesus deeds,and gives birth to a unique and novel narrative content of Peony "Mud phaf-mid phaf".From the comparison of the above three aspects,we can see that the narration of Peony "Mud phaf-mid phaf" has the characteristics of pattern and emergent quality between the texts,among the narrators and among the specific performers on different occasions.This originates from the context of the birth and inheritance of the narration of Peony "Mud phaf-mid phaf".In the context of the intangible cultural heritage dominated by the market economy,the narrative of Peony "Mud phaf-mid phaf" is investigated and pondered from the dynamic performance research level.It is also in line with the trend that the paradigm of folklore research has changed from folklore model to folklore text and field study in recent years.