Aesthetic Changes Of The Film And TV Images Of Sun Wukong From The Perspective Of Aesthetic Anthropology

The aesthetic change of Sun Wukong's film and television image is not a pure cultural phenomenon,but is closely related to the fields of politics and economy,and behind its aesthetic evolution lies the mixture and weaving of various relationships in the social context.Therefore,only the analysis and description of the film and television texts cannot be explained thoroughly,and the aesthetic changes of the film and television images should be placed in the context of history and the flood of times.Aesthetic Anthropology pays attention to the study of the aesthetic cultural phenomenon of living State,and asks to explore the "beauty" in context,to analyze the relation between aesthetic phenomenon and other consciousness and the particularity of aesthetics as ideology.Therefore,from the perspective of aesthetic anthropology,it is a useful attempt to study the aesthetic changes of Monkey King's film and television image.The purpose of this paper is not only to discuss and analyze the motives of the aesthetic changes of Sun Wukong's film and television image,but to discuss the complexity and particularity of beauty.At the same time,the aesthetic change of the image of Sun Wukong as a typical Chinese contemporary aesthetic culture phenomenon embodies the complexity of the aesthetic phenomenon,but also reflects the Chinese experience and some particularity of Chinese context,so the study of the aesthetic changes of Sun Wukong's film and television image will be beneficial to the construction and deep development of aesthetic anthropology.The first chapter is the theoretical inspiration of aesthetic anthropology,and mainly analyses the fit of the aesthetic changes of Sun Wukong's film and television image from the perspective of aesthetic anthropology.The second chapter describes and analyzes the concrete embodiment of the aesthetic changes of Sun Wukong's film and television image,including the changes of Sun Wukong's film image and people's aesthetic consciousness.Since the founding of 17 years to 1980 and the 1990 's,The Change of Sun Wukong's film image is mainly embodied as the stage of propaganda and education,the reversion stage of human nature and the stage of amusement.The changes of people's aesthetic consciousness are mainly embodied in the collective and national will,the affirmation of the individual existence value and the perceptual amusement as the value goal.The third chapter investigates the deep motives of the aesthetic changes of Sun Wukong's film and television image,and its aesthetic changes are influenced by the political ideology,economic system policy and consumption culture.Therefore,the aesthetic change of Sun Wukong's film and television image is not a pure film phenomenon.The corresponding aesthetic and art is not pure and isolated aesthetic culture phenomenon,but always in the complex social context,influenced by other ideology,institutional factors and institutions,and aesthetic as ideology has its own particularity,which shows the complexity of aesthetic problems.The aesthetic change of Sun Wukong's film and television image is regarded as the aesthetic cultural phenomenon of Chinese contemporary living state,which is beneficial to the construction and deep development of the domestic aesthetic anthropology.