The Aesthetic Comparison Of The Southern Celadon And The Northern Celadon In The Song Denaety

After entering the Song Dynasty,Chinese history gained great unity and social stability.This state played a positive role in promoting the rapid development and dissemination of economy and culture,and made the development of handicraft industry and business economy in China entered a new era.A large number of small and commercial small towns are emerging.The production and sales of the porcelain industry have entered a flourishing period of prosperity.The new factory across the country,like the bamboo shoots after a spring rain like have emerged.In many kilns,launched a fierce competition in the commodity production and market sales.The result of the competition is one of the famous porcelain kilns and-group appeared and reached the golden period.The Song Dynasty celadon is the biggest feature of breakthrough "Green White North" situation;variety,type diversity;color is beautiful,with elegant and noble,simple,like jade,color porcelain(except Jun).Longquan kiln and Yaozhou kiln,Ru and their unique style of engraving and printing decorative features,be representative of southern and Northern celadon porcelain,which is a product of economic and cultural prosperity of the Northern Song Dynasty,the Northern Song Dynasty is the technology level and aesthetic consciousness of the society.The species,from the Northern Song Dynasty celadon and southern celadon by example shape,materials,decoration art of aesthetic entity comparison,and reflect on the celadon culture from the different religious culture consciousness,philosophy celadon culture comparative analysis of the aesthetic differences between North and South Song Dynasty celadon celadon,and analyzes its reason,think provide some basis for understanding and identification of the later Song Dynasty celadon.