Taking The"Chao Yuantu"As An Example To Discuss The Flat Features Of Chinese Heavy Color Painting And My Creative Practice

Chinese heavy color painting is an indispensable part of world art.With the continuous exchange of Chinese and Western cultures,Western painting styles and ideas have been introduced into Chinese paintings.The unique expression elements of Chinese paintings have been influenced by Western paintings and have evolved and developed.In the development of Western art history,such as Matisse,Van Gogh,Picasso and others,the flat language of Oriental art is constantly studied and embodied in their creations.The oriental art here can basically be said to be the flat language of Chinese painting.Research and exploration.After the reform and opening up,China's heavy color paintings are constantly developing and innovating with the trend of the trend.While studying the heavy color painting,I have noticed many problems from my own stage.Here I would like to study the planarity of heavy color painting and my creative practice by taking the example of the Yongqing Palace Sanqingdian mural "Chao Yuantu".It is also the subject I encountered in the postgraduate period and the goal of continuous practice and exploration.I hope to explore the practical application of the flatness of heavy color painting in my creation with my own learning experience,and to promote and develop contemporary heavy color painting is the ultimate goal of my study and study.Plane has always been eternal in Chinese heavy color painting language,but what kind of development and innovation will the current society bring to our practice and creation?This is the focus of this paper on the study and discussion of the flat language of Chinese painting.