Argot Research On Drama In The Song Dynasty

The Song Dynasty was a major turning point in the development of linguistics.The lingo of this period was divided into two lines and developed at the same time.A development line exists in the singer-song and comparison test,which may make the lingo in the drama transition from the monologue to the opponent's performance;the other line is the cipher activity and linguistic performance dominated by the civil society,which affects the lingo Various manifestations in the drama.Under the interaction of these two lines,the lingo in the drama produces a rich form of performance and expression.The main part of this paper is divided into four chapters,which discuss the expressions and performance modes of linguistics.Emphasis is placed on the types of linguistic expressions in drama,the methods of composition,the effects and functions of stage performances.First of all,the linguistic linguistics in the specific performances of the pre-Qin pan-drama,such as song and dance,sacrificial rituals,and generations,are stripped and analyzed to explore the changes in the form of linguistic performance from pre-Qin to Han.During the Han Dynasty to the Northern and Southern Dynasties,because there were three major forms of linguistics,including shooting,weft,and clutch,we first sorted out the linguistic environment at that time,and then analyzed the use of such lingo in drama.During the Tang Dynasty and the Five Dynasties,the records of burlesque and Zaju were more abundant,so they focused on the review and analysis of the development of linguistics in drama.Secondly,some special terms of the linguistics of the Song Dynasty were sorted and summarized,and the analysis and summary of the linguistic creation environment.Finally,I will study the main forms of linguistic performance in drama,including some burlesque and courtyard books around the lingo.According to the different ways of using linguistics,it can be divided into three categories:language,action and articles.The linguistic linguistics can be subdivided into homophonic,borrowed,out of context,pun,slang,irony,and wisdom.Then analyze the stage performances of linguistics,such as monologues and dialogues.Thirdly,the "Zhangxie champion,is mainly used to study the linguistic performance in the drama of the plot,and summarize the types and times of the lingo in the drama.Then analyze the main use of the story in the drama,the second use of the role and the preferences,characteristics and similarities of the use of lingo in various types of feet.Finally,analyze the way of stage performances,such as opponents,songs,and movements.Fourth,this part of the content mainly focuses on the function of linguistics,which can be divided into social functions and plot functions.The social function is mainly based on satire,supplemented by aunts,banter,ridicule,and diplomatic rhetoric;the lingo in plot drama has the following effects,such as the following,transition,and cohesive stories.In short,the Song Dynasty drama has a function of linking up and down,and inheriting the tales of the Tang and Five Dynasties,and then opening a new form of Yuan Zaju.The lingo has also changed a lot in the Song Dynasty,with quite a lot of expressions,functions and artistic features.Therefore,the combination of drama and linguistics has many factors to study,so the lingo form in this transitional drama is quite worthy of attention.