Research On Film Adaptation Of Scar Literature

It has been 40 years since the end of the Cultural Revolution.It has been dusted in the long history.As a real history,later generations want to satisfy their own curiosity about the Cultural Revolution through some medium.The movie that produces the most impact and is the most easily accepted by the public is undoubtedly the best choice.As a product of an era,the film can construct the story background in detail and depict the political picture at that time in order to achieve the true reappearance of life and the restoration of historical truth.The intimate relationship between film and literature in the past 100 years has made the film more flexible in the reconstruction and reflection of the Cultural Revolution.It has been chosen to disclose the "scar literature" of the Cultural Revolution as a blueprint for the story,but in different historical contexts,the film is in Based on this,this paper aims to study the similarities and differences between the film adaptation of "scar literature" in different historical periods,with a view to adapting the film of the same subject in the future.It helps.This thesis focuses on the film adaptation research of "Scar Literature".The first chapter of the thesis takes the era of the "literature rise" of the new period as the starting point,and combs the practice of film adaptation in the new period of "scar literature",and from the new period "scar The limitations of literature itself and the influence of the " Bitter Love " storm have expounded the fall of scars;the second chapter discusses the current phenomenon of " post-scarred era " with two phenomenal films: " Return " and " Fanghua ".The film's adaptation of " Scar Literature " and the careful reading of the texts of " Legend of the Land " and " Fanghua ",in order to interpret the difference between " post-scar literature " and " scar literature " in the new era,and " post The characteristics of the scar movie.The third chapter focuses on the development of the film industry and the diversified needs of Chinese film types,analyzes the development possibilities of future scar movies,and puts forward some views on the current creative environment.The fourth chapter explains and discusses the individual film script work "Spring,Summer,Autumn and Winter" from three aspects: the narrative characteristics of the original "post-scar",the adaptation of the script to the novel and the narrative technique of the script.Entering history from the perspective of film adaptation,I want to explore not only the transformation of literary and film media,but the current Chinese film market has long been different.The creation of some serious history under the tide of commercialization has begun to become more and more entertaining.In addition to analyzing the film adaptation of "scar literature" in different periods,this paper also puts forward its own views on the creative tendency of entertainment history at this stage,and provides reference value for the future film adaptation of "scar literature".