A Study On The Writing Of Tombstone Inscriptions Of Kuizhang Pavilion Minister In Yuan Dynasty

Kuizhang Pavilion Minister in Yuan Dynasty was founded in the second year of the Tianli calendar of Yuan Wenzong(1329),and was withdrawn from Emperor Shun of Yuan Dynasty to the sixth year of Yuan Dynasty(1340).Although it only existed for twelve years,it brought together a group of the best literati of all nationalities,such as Yuji,JieXisi,and so on,who grew up after the unification of North and South.They have served in Censorate,or Hanlin Academy and distinguished scholars,with a high degree of cultural literacy and writing ability.In this paper,the tombstone inscriptions written by Kuizhang Pavilion officials in Yuan Dynasty are taken as the research object,and the factors related to the writing of the tombstone inscriptions and the writing style of the tombstone inscriptions are mainly discussed.The purpose is to present the writing features of the tombstone inscriptions of Kuizhang Pavilion officials clearly,and then reveal their achievements in the article writing.For the convenience of elaboration,the main body of this paper is divided into five chapters:The first chapter discusses the factors related to the creation of Kuizhang Pavilion Minister tombstone inscriptions from the two aspects of external factors and internal factors.There are three main peripheral factors: the pavilion field;the identity of the librarian;and the social characteristics of the integration of Huayi and Huayi in the Yuan Dynasty.The inner factors are: out of human nature;preserving history by inscriptions;embodying the way of admonishing loyalty.Chapter two starts with the style of the epitaph of Kuizhang Pavilion's ministers' tombs,and explores the writing situation of the first topic,preface and inscription respectively.Firstly,this paper discusses the new changes in the writing of the first inscription of official tomb inscriptions compared with those of Tang and Song dynasties.The author believes that the first inscription of official tomb inscriptions written by Kuizhang Pavilion Minister does not continue the tradition of inscribing the last official in Tang and Song dynasties,but inscribes the honorable position.Then theauthor explores the deviation between Huang Zongxi's judgment on the law of writing sons and women in the Yuan Dynasty's tombstone documents and the actual creation in Jinshi Important Example,and finally analyses the rhyme of the inscriptions in combination with Zhongyuan Phonology.The third chapter discusses the narrative art of Kuizhang Pavilion Minister's tombstone inscriptions.Firstly,the narrative strategy is discussed.When discussing the method of special narration,the author compares the differences between Han Yu's Liuzihou Epitaph and Yu Ji's Zhongchang Epitaph of Dead Brother Jiayu.He believes that Han Yu injects strong subjective consciousness into the epitaph through narrative intervention,which makes the epitaph have strong erotic luster;while Yu Ji uses calm and objective narrative tone and passes through the gradual development of events.Develop to shape the character image and place praise and derogation in it.Then the narrative characteristics are discussed from three aspects: orderly narration of multiple events,diversification of narrative tense and legendary narrative.Chapter ? first points out that the epitaph of Kuizhang Pavilion Minister's courtiers portrays the characters by writing the virtue,elegance and knowledge of the grave owner.Then,from the perspective of the unique political and social background of the Yuan Dynasty,it explores the uniqueness of the connotation of virtue described in the tombstone inscriptions and the way in which virtue is written.Then it explores the methods of describing the elegance and interest of the tomb owners in the inscriptions on the tombstones.Finally,it analyses the influence of the academic atmosphere of Yuan Dynasty on the writing of knowledge.Chapter Five explores the emotional expression forms in Kuizhang Pavilion Minister's tombstone inscriptions from the perspectives of typified emotional expression and personalized emotional expression.The emotional expression of typification is embodied in the author's praise of the tomb owner and the typification of the ancestors of the Yuan Dynasty.Then the author analyses the individualized emotional expression from two aspects: the author's individualized emotional expression to the grave owner and Yuji's emotional expression to Shu land.The conclusion explores the achievements of Kuizhang Pavilion Minister's tombstone inscriptions on the writing level.