Wang Kun And The Study Of The Opera White-Haired Girl

“White-Haired Girl ” is a landmark classic opera in Chinese history.The birth of this work condenses the hard work of a large number of artists at that time,and it is also inseparable from the unremitting efforts made by Wang Kun,the actor of the play.Mr.Qiao Yu once commented on “White-Haired Girl ”.It not only created a generation of playwrights and songwriters,but also created a generation of singers.In other words,it not only influenced literature and music,but also influenced vocal art and performance art.Wangkun Born at the right time,was successful in her first performance in 1945 as an opera heroine,which was an extremely important moment in her artistic life.From folk songs to Opera,and then to the "white hair girl" such a development process,that is,we call the formation of a national singing process.As a representative of this important historical stage,Wang Kun is the only one." This article is divided into four chapters.The first chapter analyzes the cultural context of the time from two aspects: the context of the times and the artistic context.The second chapter describes Wang Kun's artistic life course and its artistic characteristics.Wang Kun had a good voice since childhood.During his youth,he was influenced by local operas and folk music in Hebei.After participating in the revolution,he studied at the Lu Xun Art and Literature School in Yan 'an.During this period,19-year-old Wang Kun premiered China's first “National Opera” and “White-Haired Girl ” and played the famous “Happy Girl”.From then on,he opened the prelude to the development of Chinese national new opera and made outstanding contributions to the development of Chinese national vocal music..The third chapter is the key chapter of this article.This part analyzes the artistic characteristics of Wang Kun's“White-Haired Girl ” and expounds the internal factors and influence conditions of the formation of her singing and performance style.The article uses a number of singing examples of“White-Haired Girl ”to discuss how Wang Kun used singing and performance to create a flesh and blood “happy child”image,especially the bite word,walk cavity,and moist cavity in Hebei Xunzi.The influence on the opera “White-Haired Girl ”,Wang Kun is good at absorbing the advantages of national art,but also for the development of Chinese National opera to provide absorbing experience.The fourth chapter discusses the performance art of “Xi Er”from Wang Kun's “White-Haired Girl ”.The birth of“White-Haired Girl ” caused a sensation in China at that time.It was a cornerstone of the history of Chinese new opera.Wangkun made achieved“White-Haired Girl ” and“White-Haired Girl ” also achieved Wang Kun.Its influence covers all aspects,including music,dance,stage performance art,television,and film.Wang Kun is the founder of the Chinese National Opera.Her unremitting pursuit of art has made a strong contribution in the history of Chinese Opera.Although Mr.Wang Kun has left us,she has drawn her spirit from the National art.And the artistic achievements she has created over the years will never age,and will always affect the development and progress of Chinese Opera.