Singing Analysis Of Tongwei Xiaoqu Opera

Tongwei Xiaoqu Opera is a folk drama with folk songs and rap art.It combines a variety of art such as Tongwei Shadow Chamber,Guanzhong Taoist,Mindong Taoist,Minnan Shadow Chamber,Folk Minor,Wan Wan Opera,Mountain Song,Yangge,Shanxi opera and Meihu.The Tongqu Opera is formed in the Ming Dynasty,prospered in the Qing Dynasty,prospered in the new China,and developed in the new century.It is part of the local folk relics of the Sui and Tang Dynasties' new songs.Its existence has important reference value for the study of Yan music in Sui and Tang dynasties,the Folk songs of North and South and the tune of Ming and Qing dynasties,and it is a living fossil for the study of ancient opera culture.Tongwei Xiaoqu Opera was announced as a national intangible cultural heritage list by the State Council in May 2011.On the basis of the existing theoretical research on Tongwei Xiaoqu opera,the author takes "Tianxianpei",a folding subplay of Tongwei Xiaoqu opera,as an example,to analyze the musical nature,singing characteristics,inheritance and development of Tongwei Xiaoqu opera from a micro perspective in performance and singing.National traditional culture is the treasure accumulated in the evolution of the times and the constituent elements of world culture.Tongwei Xiaoqu Opera should take advantage of the East Wind of intangible cultural heritage,keep pace with the times,constantly enrich and innovate,enhance the expressive force,attach importance to education,attract talents,in order to inherit in the future time and space for a longer time.