Research On The Technique Beauty Thought In The Book Theory Of Ming Dynasty

In recent years,the State has gradually attached importance to the dissemination and inheritance of traditional culture.As a typical form of traditional Chinese culture,calligraphy has attracted more and more attention.The theoretical articles on calligraphy study are springing up.Calligraphy has evolved from a tool to an art form with aesthetic effect,showing a dynamic development process in various periods.Based on the previous researches of the aesthetic thought of the former proxy,this paper analyzes calligraphy from the technique level that includes four perspectives,namely technique of writing,technique of ink,the principle of structure and art of composition.This report mainly studies technique rules,practice and features involved in theories of calligraphy written in Ming dynasty.It also makes further researches of aesthetic origin and aesthetic traits and aesthetic implication.The first chapter is a brief introduction of the beauty of calligraphy technique.It mainly presents the origin and development of calligraphy technique.This paper analyzes and expounds the connotation and extension of calligraphy techniques and how the ancients treated calligraphy techniques from the angle of traditional Chinese philosophical thinking,which combines the practice of calligraphy techniques and the theoretical works of the bookmakers in the past.From the perspective of historiography,this paper explores calligraphy practice in Ming Dynasty from the point of view of learning rationality and explains why Theory of Calligraphy written in Ming dynasty is chosen to discuss the problem of technique beauty.It divides its representative calligraphers into middle decency,ancient rhyme and reformists from the angle of combining practice with theoretical propositions in order to facilitate the differentiation of research.The second chapter is the study of the technique beauty in the theory of middle and decent books.This chapter takes Chun Yu collection by Jie Jin,Book Formula by Feng Fang,Calligraphy Zhengle as examples and summarizes the important technique regulation and carries on the explanation analysis.The author summarizes its technique beauty thought that are “ moderate and elegant " and " calligraphy representing the propensity of the person".Finally,the author carries on the critical reflection.We should not only know about the obstruction of the diversity of the ideological beauty of the Chinese decency,but also its contribution to the summary of the calligraphy techniques of the predecessors.The third chapter explores the technique beauty in the books of Ancient Rhyme party.This chapter takes Ink Pool Record by Yang Shen,Book Purpose by Tang Lin,Cold Mountain Broom Talk by Zhao Huanguang as the discussion objects,summarizes the important technique regulation and carries on the explanation analysisand summarizes its technique beauty thought as "Gegou transferring distance,the quality light to vulgar" and "the charm vivid,the divine color subtlety".Finally,the author carries on the thought to it.There is a new change between the ancient rhyme school and the middle decency,among which the absorption of seal Li's pen style provides a theoretical basis for the boom in Qing Dynasty.The fourth chapter is the study of the technique beauty in the books of Innovation party.Xu Wei and Dong Qichang are main reformatory theorists in the middle and late Ming dynasties,and the author selects the main theoretical ideas of their books to explain the technique and study the technique beauty.This paper expounds the significance of exploring the history of the theory of the late Ming Dynasty and the influence of the technique beauty of the Innovation party on the future researches.The fifth part comes to the conclusion.Studying the technique beauty in theories of calligraphy of Ming dynasty in the aesthetic and historical point not only makes clear the importance of theories of calligraphy of Ming dynasty,but also the influence of many calligraphers and parties.It will transform the technique beauty into theory.Furthermore,this paper will provide a new perspective for the future development and implement of calligraphy.