Literature And Film

Since the 21 st century,the rise of world multiculturalism has spawned a new generation of national writers and directors who are eager to express themselves.The wave of visualization of national novels has also entered a relatively prosperous stage.Based on the culture and current situation of the nation,these ethnic writers and directors write ethnic culture and have ethnographic memory functions.In the display of "local" and "ethnic groups",Its natural phenology,geographical customs,fine humanities,and national culture are vividly portrayed,showing distinctive local characteristics.The national culture it presents is worthy of our repeated taste.The main part of this article is a textual study of the imaging of ethnic minority novels since 2000.It mainly focuses on the analysis of the four typical examples of "Knife in Clear Water","Eternal Goat","Biluo Snow Mountain" and "Taluo".Based on the text of his novels and his image works,the author forms a paradigm starting from the specific text,and discusses the characteristics and adaptation of the works of minority novels in this period.The first chapter takes Shishuqing's "Knife in Qingshui" as an example,analyzes the novel's distinctive "death" narrative,the "clean" artistic conception structure,the philosophy of life and death and belief,and the embodiment of ethnic elements;The film was interpreted from the perspective of rhetoric and narrative,and the film director showed great respect for the original book when he imaged the novel,and reproduced the plot and meaning of the novel to the greatest extent in the movie.The second chapter takes Yerkesy Hulmanbiek's "Eternal Goat" as an example,explaining the characteristics of novels and movies,the sublimation of themes from novels to movies,and the embodiment of national culture.This work has made great changes to the original book in terms of content and theme.The third chapter takes the example of "The Snow Mountain" as an example,and discusses the difference between the narrative of the novel and the narrative of the movie,the mystery of the novel and the realism of the movie,the opposition between man and nature in the novel,and the game between law and tradition in the movie.And the embodiment of national culture in novels and movies;This film reconstructs a new story and connotation.In the fourth chapter,taking Taluo as an example,the author discusses the creation of its documentary style,the dereligious narrative of the Tibetan film,the symbols and metaphors in the film,the difference between the novel and the film,and the expression of national identity and cultural anxiety in the film.The conclusion briefly summarizes the characteristics of the visualization of minority novels since 2000 and the inspiration and significance brought to us.The author believes that the research results of minority literature and minority film theory are less than the general literary and film theory studies.After verifying the data,it is found that there are few books in this field.The aim of this article is to make a meager contribution to the field of minority fiction imaging research,which involves very few scholars,by analyzing the concrete works of minority novels since 2000.