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Comparison Between Guzheng And Gayageum Music Culture

Posted on:2020-08-28Degree:MasterType:Thesis
Country:ChinaCandidate:J ChenFull Text:PDF
GTID:2415330575964913Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Ancient China and the ancient Korean peninsula have deep historical roots.North Korea has been in the form of affiliated state-states for thousands of years of exchanges with China,and North Korea's acceptance of Han Dynasty culture is also faster.From the historical materials of China and South Korea,we can see that ancient China has a profound influence on the culture of neighboring countries.The music culture of the Korean Peninsula not only localizes music,but also constantly absorbs foreign culture and makes music.It is easy to be accepted by the general public and has the characteristics of foreign music.As a dependent country,North Korea's music culture is directly influenced by China's music culture,and the North Korean King emulates China's music system and musical instruments,and imitates many musical systems and musical instruments with Korean characteristics.This article takes China's unique national musical instrument "Guzheng" and the Korean national plucked stringed instrument "Gayageum" as the main research object,and makes a more detailed comparison between these two very national instruments.This paper begins with the historical development of these two instruments,and then compares and analyzes the Chinese national musical instruments and the national instruments of the Korean peninsula,the playing methods,and the forms of performance.different.Then I will explain the musical styles and musical aesthetics of these two very national musical instruments,and compare all the similarities and differences between the two instruments,and further connotate the music culture and the nationalities of the two places.The music features were summarized and sorted out.This paper will be divided into four parts:The first part,an overview of the history of guzheng and gamma.This chapter expounds and analyzes the source and cultural background of the two national musical instruments from a historical perspective.This is the basis for the study of Guzheng and Gayageum,and further explains the influence of Chinese music on the development of Korean peninsula music.The second part,this part first sorts out the inheritance and development of the guzheng and Gayageum,and the shape and appearance,and clearly understand their basic structure.Then introduce the music genre of Guzheng and Gayageum,separately sort out the musical characteristics of each region,and summarize the musical style characteristics and national music spirit represented by Guzheng and Gayageum.After that,an overview of the appearance of the Gayageum can be made.Through the appearance and geographical characteristics of the two instruments,the difference in the structure between the two and the difference in musical style are compared.In the third part,the author focuses on the similarities and differences between Guzheng and Gayageum from the perspective of performance techniques and musical aesthetics.Through differences in national spirit,cultural origin,ecological environment and form of performance.With depth to explore their similarities and differences.
Keywords/Search Tags:Guzheng, Gayageum, national musical in strument, contrast, research
PDF Full Text Request
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