Zhao Jiping's<Guanju>of "The Beauty Of Neutralization" And Its Analysis

Confucius once for the preliminaries of the book of songs Guanju given "music,not her cry without harming the" spoke highly of the author to evaluate as a starting point,the Confucius represented by the Confucian music aesthetics and aesthetic view in the Guanju of the study,first of all,from the perspective of the research on the poetry text and extend to Zhao Jiping art song creation by the Guanju in performing research and analysis on the basis of modern vocal music creation,composer and singer,how the vocal music works on creation and performance by poetry itself to transfer the aesthetic direction and aesthetic value.The article is divided into four chapters,the first chapter mainly elaborated the paper selected topic research significance,research status,the innovation of the paper,and research methods;The second chapter discusses the neutralization beauty aesthetic connotation and its articulation through poetry in music melody,embodied the improperness,emotion expression;The third chapter,the author detailed discusses the Guanju of produce and circulate,traced back to the formation of the music,the book of songs in the final analysis of poetry in the language creation is reflected on the aesthetic and beauty;The fourth chapter,from the music ontology of Zhao Jiping 's Guanju,and then to sing for neutralization beauty of expression,from the improperness in accordance with the word drama lasting appeal,the smooth breath control,mourning without harming the music without her the emotional expression of three aspects are discussed.The research to the art song creation and the Confucian and the connection between the music aesthetics as a new way,and with Zhao Jiping song Guanju,the Chinese contemporary vocal music art of shallow poem and unity,the status quo of ancient and modern cultures.