Research On The Red Films In The Soviet Areas During The Period Of "Seventeen Years"

In the history of Chinese film development,films in different periods have different themes,creative features and influence.In the seventeen years after the founding of the People's Republic,that is,the seventeen years from 1949 to 1976,China's films can be said to be the officially started and developed of film in new China.To some extent,Sorting out the films in the period of "seventeen years" is,to some extent,a review of China's economic,political,social and cultural development after the founding of new China,It recalls and thinks about the history of the Anti-Japanese War and the Agrarian Revolution..Different from films in other periods,the "17-year-old" film is a special type of film that was produced in a special historical period and not dominated by the power of film.The meaning of the film of this period is composed of many different forces,and a little change of these forces may have an impact on the film itself.Therefore,the production process of this film is very complicated but the theme is very clear.This paper will analyze the red film of the theme of the Soviet Union in the "17years" period,and explore the style,characteristics and artistic value of the film with the historical revolutionary struggle in the Soviet Union as the main theme.First explore the historical background and the history of the development of the Soviet Union,a brief discussion of the current scholars' research,the clarification of the concept of the red film in the Soviet region during the "17 years" period,and provide the theoretical basis for the background and research results of this paper.Then,the paper analyze the character image shaping strategy in the "dual opposition" mode,From the perspectives of "red clouds","the daughter of the party" and "red children",the paper analyzes the image building strategies in the mode of "binary opposition" for the image building of characters and the one-sided approach for the image building of movie characters.From the perspective of semiotics and narrative,and from the perspective of Greimas' s kinesin model and heroic narrative,this paper analyzes the heroic narrative strategy of the red film in the Soviet region during the "17 years" period.This paper analyzes the revolutionary epic style of the red film in the Soviet area during the "17 years" period,and discusses the performance and characteristics of the influence of the Soviet poetry film on the red film in the Soviet region during the "17 years" period.After the analysis,the characteristics of narrative poetic art and the poetic brilliance of the film in the political image,followed by a comparative study of the red film in the Soviet region and the red film in the new period during the "17 years" period,analyzing "seventeen years" The surface features of the red film in the Soviet period include perceptual representation and rational representation.Finally,it analyzes the red film of the Soviet Union during the "17-year" period from the perspective of historical materialism,and explores the path of the red film and the spirit of the new era in the Soviet region during the "17-year" period.Through the research in this paper,we can find that the red film of the Soviet area in the "17-year" period is a historical film culture that records the events of that particular era,specific regions and people,and to a higher extent reflects the true historical context and characters of that period.The incident is of great significance to the spirit of heroic struggle of our party,our army and the people.It also provides a lot of reference and help for the creation and development of current and future red movies.