The Research On The Tomb Murals Of Jin Dynasty

The study of tomb murals is one of the academic hotspots in recent years,but in the comprehensive research of Jin Dynasty tomb murals,the existing research is still not perfect.This paper tries to realize the macroscopic investigation of the frescoes of the Jin Dynasty tomb.According to the most obvious characteristics of the theme distribution of the frescoes of the Jin Dynasty Tomb,the frescoes of the filial piety tomb are divided into North and South regions on the line of the difference of the Han Dynasty,which is embodied in the map.North District is a minority cultural area,the tomb murals are not found in the mural map,the Southern District is a Han cultural district,widely popular filial piety map.Previous studies have paid more attention to the specific content and popular background of the filial piety map,this paper makes a preliminary explanation of the difference between the north and south distribution of filial piety map,and holds that this is related to the non-depth of the sinicization of the ethnic minorities such as Khitay and Jurchen,which embodies a certain sinicization tendency.This paper combs the academic history of the tomb zoning of the Jin Dynasty Generation mural,combines the characteristics of the frescoes and the regional traditions of the Jin Dynasty tomb,and divides the North District into two neighborhoods,north of the Great Wall and the Yanyun area.North of the Great Wall is the barren area of the Jin Dynasty Tomb mural,the number is sparse and the tomb owners are Han,do not see the female.The Yanyun area belongs to the border area in the song and Liao Dynasties,and its cultural characteristics have always had strong characteristics of ethnic integration.Entering the Jin Dynasty,the tomb murals of this area inherit the tradition of the Liao Dynasty,but also fully reflect the Han style.Southern District is divided into four districts,namely,Shandong region,Central Plains,Shaanganning region,Jinzhongnan region.The mural of the Jin Dynasty tomb in Shandong is a model of ethnic integration in the frescoes of the Southern District tomb,although it is found that the quantity is not many,but the quality is OK.The tomb murals in the central Plains have declined in the Jin Dynasty,although the quality has decreased,but there are still a considerable number of discoveries.Shaanganning area of the tomb murals rich in northwest characteristics,its "one brick and one painting" brick carving murals are basically not in other areas,and pay particular attention to decorative filial piety map.The Jinzhongnan is the center area of the tomb of the brick carving mural of the golden Generation,with a large number and exquisite carving,which creates the final brilliance of the imitation wood structure brick carving.This paper focuses on the analysis of the song Jin period tomb murals in the painting scissors,lamps be,peony flowers and other subjects,It also discusses the major development of commodity economy and the secularization of social life,which are reflected in tomb murals.Through the discussion of the frescoes of the tomb of the South Jinsha,this paper holds that it reflects the life of the Han people and the people's life embodied in the frescoes of the song tomb,from this point of view,the alternation of the song Jin regime has not affected the transformation of social life,and the social changes that began in the middle of Tang Dynasty were completed in the Jin Dynasty The decorative pattern represented by peony flowers,Xiao and so on reflects the beautiful expectations of the people at that time,and various images of household activities embody the secularization of social life,which is accompanied by the commercialization of funeral activities during this period.