The Painting Of The Twenty-four Filial Piety Of The Jin Dynasty Tomb Mural In Changzhi Area,Shanxi Province

The ancients said:"Filial piety comes first","Filial image" has been one of t he main popular themes of the tomb mural since the birth of the Han Dynasty,t o show the builder's filial piety to his parents.Filial image in the Han Dynasty po rtrait stone and the Northern Wei Dynasty did not form a relatively fixed filial so n combination.In the tomb of the Sui and Tang dynasties,the The painting of the twenty-four filial piety rarely appeared,showing a period of brief and silence.U ntil the end of Song Dynastythe and the Early Jin Dynasty,due to the advocacy of the filial piety by the rulers and the spread of the concept of filial piety of th e Confucianism,Taoism and Buddhism,The painting of the twenty-four filial piety was prosperous again,and the relatively fixed filial sons group was gradually for med.Shanxi is one of the areas where more tombs of the Jin Dynasty were disc overed.The tombs of the Jin Dynasty in Shanxi Province have four sub-districts of Northern Shanxi,Central Shanxi,Southern Shanxi and Southeastern Shanxi,an d three districts of the Jin Dynasty tombs except the Northern Shanxi area all ap peared The painting of the twenty-four filial piety,especially the mural painting of the tomb of Changzhi in the Southeast of Shanxi is the most popular,the remai ns are more concentrated,the image is also relatively complete,basically presents twenty-four filial son stories,and has unique and distinctive painting characteristi cs.Therefore,this article is based on the mural painting of the tomb of Changzhi i n Shanxi Province.This paper mainly analyzes the artistic characteristics of the Jin Dynasty tom b mural in Changzhi area from three aspects:Firstly,combing the Jin Dynasty to mbs decorated with the The painting of the twenty-four filial piety which has bee n excavated in Shanxi,and analyzing the prevailing reasons of the filial piety of Shanxi in the Jin Dynasty.This paper expounds the spread of Confucianism,Taoi sm and Buddhism in the Jin Dynasty in Shanxi and the influence of The painting of the twenty-four filial piety of the Jin Dynasty tomb mural in Changzhi area.I n addition,the reason why The painting of the twenty-four filial piety in the Jin Dynasty tomb mural in Changzhi area prevailed was its unique regional cultural f actor-the belief of Erxian(the two sisters of Leshi).Secondly,analyzing the co ntent source and the Image source of The painting of the twenty-four filial piety i n the Jin Dynasty tomb mural in Changzhi area and the evolution of the filial im age from the Han Dynasty to the Jin Dynasty.The last and most important part i s the analysis of the characteristics of The painting of the twenty-four filial piety in the Jin Dynasty tomb mural in Changzhi area,including the combination of cha racters,the simple costumes of the working people,the rough facial expression,the vivid figure,the smooth lines,the bright colors,the long-volume overall layout and extend the single frame of the picture space.The painting of the twenty four filial piety frequently appears in the Jin Dyna sty tomb mural in Changzhi area,reflecting the emphasis of the people in the reg ion on the concept of filial piety.The painting of the twenty-four filial piety in th e Jin Dynasty tomb mural in Changzhi area is mostly drawn by the painter accor ding to the same powder or similar powder,so the image has stylized features.Th rough the analysis of the characters,colors,composition and other characteristics of the characters,we can see the fusion of the Northern Song Dynasty tradition a nd the Jurchen customs.Therefore,The painting of the twenty-four filial piety in t he Jin Dynasty tomb mural in Changzhi area has both unique regional characterist ics and contemporary characteristics.