On The Beauty Of "Virtual Spirit" In Gu Kaizhi’s Paintings From "Fu To Of Luo Shen"

"Vanity" is an important philosophical category in Chinese painting,which has a great influence on the development of Chinese painting from ancient times to the present,and plays an essential role in dealing with the space and leaving white space in Chinese painting as well as the expression of artistic conception.Taking the painting of Luo Shen Fu by Gu Kaizhi,a painter of the Eastern Jin Dynasty,as the starting point,this paper analyzes the relationship between the virtual reality and the movement of the picture from the line,color and composition of the work.Explaining the connection between the various parts of the picture and the beauty of the "virtual spirit" produced by the work,the "virtual spirit" produced by the work has different manifestations in the picture,and plays a very crucial role in the emotional expression of the figure painting,which can make the painting possible.Face structure is rich in levels,giving people a strong emotional resonance and invisible imagination space.In the first chapter,starting from the social background and cultural atmosphere of Gu Kaizhi’s times,this paper summarizes the conditions of the beauty of the "virtual spirit" in Gu Kaizhi’s "Luo Shen Fu Tu".The second chapter mainly explains the artistic characteristics of the beauty of "virtual spirit" in Luo Shen Fu Tu.It is divided into two parts.The first part expounds the characteristics of the beauty of the "virtual spirit",focusing on the meaning of "texture" and "rhythm" of the lines,analyzing and demonstrating the characteristics of the lines and the relationship between the lines and the "virtual spirit" by taking the line as the main line.The second part takes color as the auxiliary line,expounds the dynamic and dynamic relations and the virtual-real relations in the works,and discusses the emotional expression of the color in the "Luo Shen Fu Tu".Color presentation techniques.The third chapter mainly writes the application of "the beauty of the virtual spirit" in "Luo Shen Fu Tu",analyzes the application of "the vanity" in the picture from the expression of the characters’ dress,the appearance and the picture composition.The fourth chapter describes the aesthetic value of the beauty of the virtual spirit from three aspects: the power of the line,the rhythm and the artistic conception of the picture.The fifth chapter is mainly about the significance ofthe beauty of the Unreal to the contemporary figure painting,which is divided into two parts.The second part discusses the inheritance and development of the beauty of the contemporary characters and painters to the beauty of the "virtual spirit" on the basis of the enlightenment of the beauty of the "vanity" to the contemporary figure painting.Finally is the conclusion part,is the summary of the full text.