Study On Rural Expressive Ink-Portraits Painting In Shaanxi Province

After the reform and opening-up,western art came.Ink art began to transform to modernization after a series of transformation and cultural collision,rural expressive Ink-Portraits painting was born out of the realistic ink painting which once occupied the mainstream position,it rose in the 1980s and grew in the 1990s.Artists focused on the natural and simple rural world,facing the bitter and solemn original ecological vitality,emphasizing the tension of the picture,the unique expressive and the individualized artistic language,paying more attention to the expression of emotion and the profound understanding of real life.With the help of unique regional advantages and profound cultural accumulation,painters and works represented by Quanzhong Guo and Lizhu Zhang emerged in the development process of Shaanxi provincial rural expressive Ink-Portraits painting,their artistic exploration and localism presented diversified features.On the basis of inheriting the tradition and sticking to the root expression,they actively absorbed foreign artistic nutrients,broadened the artistic language and expression space of Ink-Portraits painting,and injected new power into the development of Chinese painting.This paper introduces the background and development process of Shaanxi rural expressive Ink-Portraits painting,and it analyzes the artistic characteristics of Shaanxi rural expressive Ink-Portraits painting and understands their creative techniques and artistic concepts through a case study of typical painters' different localism and formal language.I think about the revelation of Shaanxi rural expressive Ink-Portraits painting to the creation of contemporary figure painting and its development of the future,combining the three years of my creative practice and comprehension of rural expressive Ink-Portraits painting.This has important enlightenment and practical significance for grasping the laws of contemporary art creation and clarifying creators' positionin the times and the direction of creation and research.