A Study Of Sushi's Ci-poetry By Japanese Scholars

This paper chooses several representative directions from the study of Sushi's Ci-poetry by Japanese scholars,trying to compare the commonalities of Japanese group Sushi's Ci-poetry with domestic related works in order to observe the similarities and differences in the study of the same issue between China and Japan.It also provides reference for the research of Sushi's Ci-poetry in our country to achieve the exchange and prosperity of the research.The main structure of this paper is divided into five parts.The first part is the introduction,which mainly gives a general overview of the development and research status of Chinese Ci-poetry and Sushi's Ci-poetry in Japanese studies,and briefly describes the writing method,purpose and significance of this paper.The second part is about controversial Su Shi's "take Ci-poetry as the Poetry".Based on the discussion of Tetsumi Murakami,Uchiyama Seiya and Hokari Yoshiaki,the author explores the similarities and differences between Japanese scholars and domestic scholars from different perspectives.The third part is to discuss the reasons why Su Shi began to make a lot of Ci-poetry.Based on the research of Uchiyama Seiya,Hokari Yoshiaki and Nishi Noriaki,the author tries to find a new breakthrough compared with the domestic scholars' arguments.The fourth part is the analysis of the image in Sushi's Ci-poetry.Because Hokari Yoshiaki has the most research and well quality,the author thinks that it can be an independent part of this part,so this part is the theory of Hokari Yoshiaki.At the end,it has a simple comparison with domestic scholars.In the last part,the author briefly select some of the textual researches on the compilation of Sushi's Ci-poetry by Tetsumi Murakami and Hokari Yoshiaki,in order to observe the characteristics of Japanese scholars' research with domestic scholars in similarities and differences.