Research On Female Internet Literature From The Perspective Of Reception Aesthetics

In this paper,the expectation horizon in reception aesthetics is taken as the theoretical horizon,and the relationship between the author and the reader in the network literature is discussed based on the ZHONGGUO NIANDU WANGLUO WENXUE[NVPIN JUAN]compiled by the Research Forum on Network Literature of Peking University from 2015 to 2017.Different from traditional literature,network literature has two major characteristics:commercialization and networking.These two characteristics determine that the creative center of network literature has changed from author-centered to reader-centered,from one-way acceptance of readers to two-way interaction between authors and readers.Women's online literature takes into account the dual identities of women's literature and online literature,which contains unique aesthetic and social significance.By introspecting the development of network literature in the past 20 years and analyzing the hot works in recent years,we can better sort out its characteristics and predict and guess the future development of network literature.This thesis is divided into three parts:introduction,main body and conclusion.The introduction mainly introduces the concept of network literature and the research object of the ZHONGGUO NIANDU WANGLUO WENXUE[NVPIN JUAN],combs the current situation of network literature research,and puts forward the purpose and significance of this topic.The main part is divided into five chapters.Starting from the theory of expectation horizon of reception aesthetics,this part regards the works in Chinese annual network literature from 2015 to 2017 as the blueprint,restores these network literary works to the network,carefully reads and analyses the specific text and reader evaluation,and summarizes the characteristics of female network literary creation.Among them,the first chapter mainly introduces the commercialization and networking characteristics of network literature,and introduces the theory of "horizon of expectation" in reception aesthetics theory.In the second chapter,from the author's point of view,it analyses how the writers of network literature cater to the readers' expectant horizon with the typified literary expression and popular writing standpoint,and insist on certain personal creative style and humanistic value undertaking.In the third chapter,from the reader's point of view,the reader's reading needs of pleasure satisfaction and emotional catharsis,as well as the self-identity and identity construction in the process of reading are discussed.Chapter ? starts with the relationship between the author and the reader,and explores the interaction between the two groups in the creation of works and aesthetic taste.The fifth chapter mainly deals with feminism in women's online literature,mainly involving women's writing,the embodiment in specific texts and the reflection on women's online literature.