Study On The Main Tune Of Henan Qu Opera

This paper takes the main melody of Henan Qu opera [Yang tune] as the research object,this paper analyzes the singing of [Yang tune],the accompaniment of [Yang tune],[Yang tune] changes from minor to opera aria.The first chapter is the study of [Yang tune].From the [Yang tune] of the history,[Yang tune] singing characteristics,[Yang tone] of the industry.The history of [Yang tune] is mainly divided into four stages: folk song and folk song,stilt music,initial stage and since the founding of the People's Republic of China.[Yang tune] has different characteristics in each stage.The original sentence pattern of [Yang tune] is a four-sentence pattern of "Qi Cheng Zhuan He ".Most of the words in each sentence are seven-character sentences and ten-character sentences.[Yang tune] the intervals are mainly the conjunsion between pentatonic scales,supplemented by fourth intervals and other intervals.The melody of [Yang tune] presents different melodic lines due to the emotional changes of the characters in the play,sometimes like the lingering flow of water waves,sometimes like the ups and downs of mountain veins,showing the changeable style of [Yang tune] from the side.With the development and maturity of [Yang tune] is singing style,it gradually formed the [Yang tune] of the industry,and [Yang tune] also became the pioneer of many keys in Henan Qu opera.The second chapter studies the accompaniment of [Yang tune].From the [Yang tune] of the door and [Yang tune] of the gongs and drums by two aspects to elaborate.[Yang tune] in the door,the front door is mainly used to depict the character or rendering scene atmosphere;An interlude is a "small door" connecting two sentences,which can be filled in and connected.The back door is also called "end play",which is mainly used to deepen the emotions of the characters in the play,and can also connect other keys to play a bond function.[Yang tune] the application of gongs and drums is mainly divided into four categories: first,with the body;The second is to cooperate with singing;Three is to cooperate with the confession;Four is to match the tune through the door."Yang tone" percussion instruments are: tambourine,big gong,small gong,cymbal,board.The third chapter studies the development of [Yang tune] from folk songs to opera singing.This paper elaborates the origin of [Yang tune],the overview of [Meng Jiangnv tune],the changes of [Meng Jiangnv tune] after it entered Henan Qu opera,and the development of [Yang tune] in other operas.Tracing the source of [Yang tune],it is found that [Yang tune] was born in [Meng Jiangnv tune].It is an important research direction for the development of [Yang tune] from folk songs to opera singing to trace the mother tune [Meng Jiangnv tune],understand the source,transmission way,spreading factors of [Meng Jiangnv tune] and the homologous folk songs of [Meng Jiangnv tune].[Meng Jiangnv tune] after "Fengyang flower drum" into "Guzi song" formed [Yang tune].In Henan Qu opera,with the development of Henan Qu opera becoming more and more mature,a series of variations of [Yang tune] began to appear,which can be divided into [happy Yang tune],[sigh Yang tune],[crying Yang tune] and [angry Yang tune] according to emotions.On the change of swing word,there are white swing word,stack swing word and other swing word.According to sentence patterns,it can be divided into "three legs Yang tone","five sentences Yang tone","six sentences Yang tone","Yang tone with stack" and so on.[Meng Jiangnv tune] evolved into [Yang tune] after entering Henan province,and it was not unique.[Meng Jiangnv tune] entered other provinces and cities,combined with local music,language,folk customs and other factors to form a different "Zi style",which became the main singing style after entering the opera.For example,[Dressing table] in Jiangsu Yang opera and [Siping tune] in Shandong Lu opera.