The Study On The Geospatial And Cultural Space Of Jianghai Fu In The Han Wei And Six Dvnasties

From the Eastern Han Dynasty to the Northern and Southern Dynasties,the centuries of division,conquest and blending,the turbulent living space and the geographical migration of the Hu and Han nationalities have greatly affected the literary vision and creative mentality of the literati,leading to the deviations and changes in the cultural construction of geospatial space.The rivers widely distributed in the land of China and the sea at the end of the land have become important images of geography and culture in the diachronic cultural construction.Over the centuries,the essays of the rivers,lakes and seas have emerged in an endless stream.Among them,the compositions of the Yangtze River,the Yellow River,the Huaihe River and the Ocean(called "Jianghai Fu" in this article)are particularly compelling.The political and cultural significance in the Jianghai Fu,which was given by literati,was shown with the depiction of the Jianghai landscape.Through the combing and research on the texts of Jianghai Fu in the Han,Wei and Six Dynasties,it is found that literati have displayed two parallel spaces of"natural geography space" and "historical culture space" in Jianghai Fu.The two influence each other and support each other,which makes Jianghai Fu has a broad sense of historical depth and political order in addition to the depiction of the Jianghai landscape.The literati of different eras and different political positions show a cultural and geographical space with a constantly changing range of sizes and hustle and bustle through the stable imagery(Yangtze River,Yellow River,Huaihe River,Ocean).This cultural geography space does not completely objectively reflect geographical cognition,but reflects historical recollection and literary imagination of Jianghai landscape based on geographical cognition.This paper is composed of five parts.The introduction,the research significance,literature review,definition of the research scope,and discussion from the perspective of "dynasty geography" and literary imagination.The first chapter trys to sort out the cultural writings of rivers and oceans in the pre-Qin and Qin-Han periods,and to trace the cultural origins of geospatial writing in the Han,Wei and Six Dynasties.The second chapter is based on the imagination of the Penglai fairyland and the description of the Sino-centric sphere of order in the Haiyang Fu.The dual meaning of the ocean as a "seeking for the immortal" and "self-sparing to the monarch" are discussed,as well as the textual order under the political disorder of the Wei,Jin,Southern and Northern Dynasties.In the third chapter,the writing of Geographic cultural orthodoxy in the Huanghe Fu is compared with the orthodox reproduction and cultural re-creation in the Changjiang Fu.A Perspective of the Orthodox Self-certification of the Wei and Jin Dynasties to the Regime of the Dynasty is shown,as well as the different responses to the coincidence of "geography" and"culture".In the fourth chapter,the changes in the theme of the Wei,Jin,Southern and Northern Dynasties are combed.And geospatial and cultural inertia restriction on the creation of Huaishui Fu is analyzed.