A Literary View Of The Lower Class Female Peasants' Writing In China Under The Network Era

In the network era,lower class female peasants' literary works are simply consumed and underrated by superficially being labeled as “brain paralysis”,“migrant labors”,“peasant women”.Nevertheless,such works do have valid aesthetic value from the angle of literature and should be considered as more than a literary phenomenon.Started with the depressed life experience perspective,as commonly born with the nature of loneliness and constantly tortured by the cruel life,the lower class female peasants keep struggling with depression and psychological trauma decade by decade and trying to explore feminine self-consciousness in their literature creations.Followed by discussion to the writing style perspective,as the so-called“Woman”,suffering can never be absent from the lower class female peasants' life and then becomes the aesthetic basis of their literature works.Also,they are not satisfied with the status quo as “Witch”,so their literary works have the tragic and magnificent beauty of human resistance.In the cracks between the city and the countryside,the problem of the identity of the“Maid” makes their works full of contradictions and hesitations,which is the unique aesthetic style of their works.Finally,from the literary form,the lower class female peasants portrayed delicate image of abandoned woman at the information age,showing the writer's capture of the new women.Besides,their literary works are penetrating and appealing because of their narrative angle and rough language style.The lower class female peasants face the reality with humanitarianism and human nature,sincerely express their thoughts and questions regarding women's surviving issue in Chinese culture.Apparently,their creations are literarily valuable in the network era.