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Study On The Figure Of Qingbai Porcelain In Jingdezhen Of Song And Yuan Dynasties Under The Secularization Characteristic

Posted on:2020-08-25Degree:MasterType:Thesis
Country:ChinaCandidate:Y GaoFull Text:PDF
GTID:2415330578975605Subject:Archaeology
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Qingbai Porcelain is a unique kind of ceramics rising in Song Dynasty.The emergence of Qingbai Porcelain changed the mode of making ceramics in southern Qingbeibai.Jingdezhen is the core area of firing celadon and white ceramics.Jingdezhen celadon represents the standard level of firing celadon and white ceramics.The statues of celadon and white porcelain figures are very interesting objects in celadon and white porcelain.The study of celadon and white porcelain statues can supplement the study of celadon and white porcelain.Secondly,through the study of celadon and white porcelain statues,we can further understand the social environment and social aesthetic pursuit of Song and Yuan Dynasty.At present,the research on celadon and white porcelain statues is extensive but not in-depth.This paper makes a brief discussion on the statues of Qingbai Porcelain figures in Jingdezhen,Song and Yuan Dynasties.Firstly,this paper makes statistics and classification on the excavation and collection of the existing blue and white porcelain statues.The classification of celadon and white porcelain statues can be divided into religion and secularity.The detailed discussion and analysis show that secular statues developed well in Song Dynasty and weakly in Yuan Dynasty.Buddhist themes in religious themes have been popular from the Northern Song Dynasty to the Yuan Dynasty,while Taoist statues are more active in the Southern Song Dynasty.Secondly,this paper studies the statues of celadon and white porcelain by stages,and compares the statue characteristics of different periods.The appearance of the celadon and white porcelain statues has changed from simple to complicated,and the decoration has gradually become complicated.Matrix reflects the progress of technology,from the solid single ceramic stone matrix in the Northern Song Dynasty to the emergence of mixed matrix in the Southern Song Dynasty,and from the dual formula in the Yuan Dynasty,the hollow part of the statue gradually increased.It is the performance of the improvement of ceramic technology.From the early Northern Song Dynasty,the Yellow grey glaze was gradually optimized.The glaze color of the late Northern Song Dynasty was permeable,and the glaze color of the Yuan Dynasty was impermeable.In the Northern Song Dynasty,glaze was applied more often than in the Southern Song Dynasty,while in the Southern Song Dynasty,glaze was applied partly or plainly,and painted with colors.Glaze was popular in the Yuan Dynasty.Finally,the performance of celadon and white porcelain statues under secularization is discussed.Religion in Song Dynasty has the obvious characteristics of secularization,which is the result of the interaction of social politics,economy,culture and religion.On the one hand,this paper discusses secular religious statues.On the religious statues of celadon and white porcelain,the sacred sense of statues is weakened.Instead,more emotions of characters are included in the works of ceramics sculptures,which are more affinity,and the style of statues is more civilian.On the other hand,the rich secular themes are discussed.Secularization encourages the innovation and development of secular themes.At the same time,secular themes have also been developed.
Keywords/Search Tags:Jingdezhen, Song and Yuan Dynasties, Porcelain plastic, Bluish white porcelain, Secularization
PDF Full Text Request
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