The Creative Characteristics And Playing Methods Of Bruch's Scottish Fantasy

Max·Christian·Friedrich·Bruch,1838-1920,German composer and conductor.Bruch has written many operas,concertos and other works,but after the wash of the long history,unfortunately most of his works have been forgotten by the world.Now the works of him that still active on the stage are his "First Violin Concerto" and "Scottish Fantasy".In the course of violin learning,the author had the opportunity to contact with this "Scottish Fantasy" and was convinced by its beautiful melody,sweet and romantic atmosphere and unpretending national style.Therefore,I want to study it as the topic of my graduation thesis.This paper mainly studies the creation and performance characteristics of Scottish Fantasy.Firstly,it understands Bruch's life and creation,studies the music characteristics of Romanticism and Scottish folk music,substitutes its characteristics into the music,and analyses the creation of Scottish Fantasy from the aspects of melody,rhythm and music structure.Study the characteristics of the Romantic era,collection and application the national characteristics in to the music.After understanding the theoretical characteristics of his creation,this paper tries to analyze the skills in playing and the problems that the performers should pay attention to in the second creation of playing from a practical point of view.From the aspects of the use of right and left hands,bow movement,string rubbing,and the division of musical phrases,it dissects the music layer by layer,focusing on the analysis of the key and difficult points in playing,with the intention of combining theory with practice,and taking theory as the support,and skills as the approach,to understand this work from a deeper perspective,in order to achieve a deeper understanding and understanding of the work in terms of ideology and performance,so as to perform better.