On The Formal Function Of Picture-in-Picture In Chinese Painting

There are many different forms of picture-in-picture,and the related materials have different descriptions of the form and function of picture-in-picture.This paper mainly uses graphic analysis,graphic comparison and other methods to analyze the characteristics of a painting formal language such as picture-in-picture and the paintings it can provide from the form of the picture-in-picture and the role of different forms.The help brought by creation.This paper starts with the most frequently appearing image in the traditional picture-in-picture,such as the screen,and analyzes the reason for the birth of the picture-in-picture through the historical evolution of the screen to the screen painting and the picture-in-picture.Do a combing.Then,the boundary of the picture-in-picture and the carrier of the object it carries are sorted out,and the Western picture-in-picture is compared with the traditional picture-in-picture in the small area,and the local differences are analyzed.On the ideological background,the analysis of the ideology of Confucius' s "Benevolence of the People,the wise man's music" extends to the form and role of indoor painting.Through the phenomenon that the benevolent person admires the character of the landscape,analyzes the necessity of the existence of the indoor painting,and further refines the treatment of the ancients in the indoor painting,and compares and analyzes the similarities and differences to highlight the picture-in-picture.The unique meaning.In the function of picture-in-picture as a background,taking the example of Han Xizai's Night Banquet as an example,by analyzing the reason why Han Xizai's night banquet has no background,the unique meaning and painting of the picture-in-picture with the screen as the bearing object in the picture is reversed.Themiddle picture plays the role of the second background.In the form and function of picture-in-picture,the role of picture-in-picture conversion space is emphasized.According to different degrees and situations,it is divided into three categories: one,the conversion of picture-in-picture to the current space;and two,picture-in-picture for different spaces;third,the conversion of picture-in-picture for time and space.The transformation of the current space is the transformation of the space within the line of sight or the direction of the space within the line of sight;the transformation of different spaces means that the space is not limited by the distance of the space,and the space can be freely replaced;and the conversion of picture-in-picture to space-time can be Decentralization is seen as a simultaneous conversion of space and time,intended to represent the simultaneous conversion of time and space.With the development and change of the times,the emergence of new things has made the forms of picture-in-picture more rich,the transformation of time and space,the contrast of different styles of painting,the expression of rhetoric,and the expression of rhetorical effects on the form of picture-in-picture.Provides more possibilities and expressiveness.In summary,a form of picture-in-picture provides more space for the diversity and operability of the picture.It also provides us with more ways and means to express the performance of painting.Picture-in-picture is a form of advancing with the times.As long as people still need illustrations,they must have their figure mapping.