The "legendary" Narrative Of The Family Of Shanghai Women Writers In The 1940s

In recent years,along with the process of urban modernization,the construction and reflection of urban civilization and its daily life style has become one of the themes of literary circles.Looking back on the history of modern Chinese literature,the creation of the theme of "family" represented by the female writers of the Shanghai School has already provided a reference for this.Compared with the new sensory writers,they truly grasp the life and grasp the city with the attitude of “living people”,and repeatedly examine and test the basic components of daily life and emotional expression as “observation objects” and narrative windows—men and women The purpose of the relationship between the two sexes is to find and construct a new standard of value judgment: to break the traditional social family ethics structure from the inside with the true expression and satisfaction of the erotic passions,and to truly construct the individuality and modernity of daily life.The introductory part of this article will briefly explain the connotation,significance and research status of the "legendary" narrative of the female writers of the Shanghai School.The family narrative of the female writers of the Shanghai School has shown that the roots of the "legendary" color are violently conflicting with the consciously awakened female passions and the inherent family structure,and the "family" is nolonger just a static social structure marked by blood and ethics.And more "imagination" in the dynamic process of pursuing "sexual desire" as a female writer: a stable emotional relationship and a daily symbol of an orderly life.The first chapter mainly analyzes the internal inevitable factors that female writers can use to enter the Shanghai literature stage by the "family" legend from the development of Shanghai literature.First of all,by combing the development clues of Shanghai School literature,we find that the narrative of the Shanghai School,which exists as a negative discourse,resists the mainstream narrative through “speaking emotions”,and its “feminine” gender posture reserves the possibility for the female writers to appear.Secondly,in terms of the formation of Shanghai-style literature,the “legendary” imagination of the family with urban construction as its background is itself the mainstream of its narrative.However,the Shanghai women writers judge the emerging and impetuous urban civilization with a static and eternal emotional vision.The second chapter specifically analyzes the connotation of the family "legend" narrative of the female writers of the sea.The conscious consciousness of women with erotic needs and the suppression of the existing family system have caused the hesitation,contradiction and paradox of women's writing,and also brought the aesthetic tension of the text.First of all,under the urging of natural lust,female writers fantasizeabout the relationship of equality and natural love,and interpret the understanding and yearning for love with imaginative love.Secondly,the writings of "near truth" and "autobiography" have made Shanghai women writers consciously express the irrationality of marriage life and its dual persecution of the vitality and free passion of men and women.Finally,in the case that "love" and "home" cannot be owned at the same time,the female writers of the Shanghai style actively construct a family structure model of residence or cohabitation,in an attempt to rediscover the true existence of super-utilitarian love in the perspective of daily life.The third chapter mainly discusses the significance of the family's "legendary" narrative from the perspective of the evolution and renewal of the city image,and explores the unique aesthetic value brought by the Shanghai literature with the urban construction as the core background.In determining the family legend of the Shanghai women writers,on the basis of the free expression of passion as the highest purpose,explore the multiple relationships between people and the city.The conclusion affirms the re-examination and construction of the sentimental relationship and family structure of the Shanghai women writers in the 1940 s with their quest for love and home-seeking,and their perspective on the real life of the individual and the image of the city from the perspective of emotionalization.It also points out the insufficiency of the work,and hopes that the later researchers can conductmore in-depth research on the creation of female writers in the 1940 s from the perspective of love literature.