The Aesthetic Study On Chengdu Lacquerware In Han Dynasty

Lacquerware is a variety of everyday utensils or crafts made from lacquered tires with natural lacquer or processed lacquer.Chengdu lacquerware is a piece of art with rich local characteristics and Han nationality style from Chengdu and other places.It is one of the famous five lacquer wares in China and a treasure of traditional Chinese art.The Han Dynasty was the golden age of Chengdu lacquerware,and it was also the peak period.The Chengdu lacquerware of this period is sufficient for the production process or the aesthetic law.At the same time,Chengdu lacquerware as an artifact of the times also reflects the social material level and spiritual meteorology of the Han Dynasty.It is an important carrier of the Han Dynasty art style.It represents the creation and aesthetic consciousness of the Han Dynasty,and reflects the heroic spirit of the Han Dynasty.The spirit of the face and the mighty wealth of the Han Dynasty.At present,the research on Chengdu lacquerware at home and abroad is mostly in the aspects of creation process,shape characteristics,artistic style,craft design and art appreciation.There is less research on the history of the lacquerware in Chengdu,and the high-speed development of the social economy in Yizhou,especially in Chengdu,and the prosperity of culture are the peak period of lacquer development.At this time,Chengdu lacquerware is not only popular in the country,but also exported to overseas,and has great influence at home and abroad.In view of the fact that the Chengdu lacquer wares in the Han Dynasty were particularly developed and the study of the dynasty was weak,the paper intends to combine the lacquer wares of the Han dynasty unearthed in the Sichuan tombs in the Sichuan area from the perspective of aesthetics in the field of aesthetics.Discovering,handing down cultural relics and the maps recorded by Jinshixue,etc.,carried out in-depth research on the history of the lacquer wares of Chengdu in the Han Dynasty,systematically explored the artistic characteristics and aesthetic appeal of the lacquer wares in Chengdu from the aspects of shape,color,pattern,production method and creative process.Analyze the cultural customs and aesthetic implications of the Han Dynasty.This paper consists of three parts: the preface,the main body and the conclusion.The main body consists of four chapters.The foreword reviews the research status athome and abroad,explains the research side and scope of the research,and introduces the research significance and innovation of this paper.The first chapter focuses on the overview and development of Chengdu lacquerware,and introduces the background of the Han Dynasty lacquer ware in its heyday.The second chapter combines the existing historical archaeological materials and unearthed cultural relics and literature records,combing the manufacturing mechanism and production period of Chengdu lacquer ware in the Han Dynasty,and the fetal bones of the Chengdu lacquer ware,the production methods and several distinctive features.The lacquer technique is introduced in detail,focusing on the beauty of the craftsmanship of Chengdu lacquerware in the Han Dynasty.The third chapter summarizes the Han Dynasty lacquerware in Han Dynasty based on the historical documents and the physical materials of the Han Dynasty lacquer wares from the Han Dynasty in the modern Sichuan Province,through the analysis of its shape,color and pattern,combined with the aesthetics and regional characteristics of the Han Dynasty.It is a beautiful and romantic form.In the fourth chapter,through the analysis of the mainstream thoughts of the Han Dynasty,combined with the lacquer ware of Chengdu in the Han Dynasty,it explores the tradition of "the rituals of Tibetans" in the traditional "ritual" culture,and the vitality and the life-oriented aesthetics in lacquerware.Consciousness,and analyze the aesthetic concept and natural ecological view of "natural","human" and "object" in Chengdu lacquerware from the "Taoist" aesthetic point of view.The conclusion part combs and summarizes the whole article,and gives a general summary of the artistic aesthetic,cultural connotation and aesthetic implication of Chengdu lacquer ware in the Han Dynasty.