A Study On The Creation And Performance Of The Piano Part Of Bo-chan Li's Pipa Concerto "Late Autumn"

Pipa,plucked instrument first,known as the "King of Folk Music",is a very important national musical instrument,has a long history of more than more than 2000 years,crisp pronunciation,bright,penetrating and granular,extremely rich expression.Pipa concerto is a form of creation of "Ancient for,West for the used",which greatly promotes the development of pipa music and contributes to the world of pipa,an ancient national instrument.Piano as the "King of Musical Instruments",for the accompaniment of western musical instruments has more than hundreds of years of history,and for the national instrumental accompaniment but only a few decades of time,national instrumental music,whether in the playing technique or music style and western musical instruments have the essential difference.So,the theory that the piano is accompanied by western instrumental music is not fully adapted to the accompaniment of Chinese national instrumental music.There is still a long exploration process in the construction of the discipline of national instrumental music guidance.Taking the pipa concerto "Late Autumn",created by the young composer Li Bochan of our country as the research object,this paper makes a comprehensive and in-depth analysis of the creation characteristics,playing techniques and collaboration with the pipa vocal parts of the piano ensemble from the writing and playing of the piano vocal parts.Through case study,this paper specifically discusses the technical problems in collaborative performance of piano as western musical instruments and Chinese national musical instruments,and also puts forward some suggestions on the performance of the work of Late Autumn.