Research On The Piano Accompaniment Of Pipa Concerto "Cloud Thinking·Flower Thinking"

Taking pipa concerto "yun xiang·hua xiang"(piano accompaniment version)as a research object,the paper makes relevant researches of piano accompaniment from three perspectives including the work understanding,piano accompaniment performance skills and personal experience in the performance.This paper holds that it is a work with great cultural connotation and expressive force.This composition is a work with high cultural connotation and expressiveness.The rich musical expression of pipa part,which accompanied perfectly by the piano,has shown the artistic value of considering both the national characteristics and symphony.In the process of piano accompaniment,it is necessary to give priority to the volume coordination between piano and pipa.The piano needs using to imitate other instruments.The rhythm function of "follow-upl" and "put-in-motion" needs to be given full play to coordinate and supplement pipa performance.To a certain extent,the paper provides reference for the cooperation between piano and national instrumental music through the writer's piano accompaniment experience in this work,years of experience in piano accompaniment of Chinese national instrumental music as well as summarizing the problems of performance techniques and cooperative ideas.