| Chinese lacquer culture has a history of thousands of years.As a new art form combining traditional lacquer painting and modern painting art,Chinese modern lacquer painting must undergo a difficult exploration process.In the context of the development of modern art,art is becoming more and more diversified,showing the intersection of disciplines.Nowadays,the aesthetic concept has changed dramatically.Traditional lacquer painting has not adapted to the aesthetic needs of contemporary people.Modern lacquer painting urgently needs to change innovation.The research content of this paper mainly focuses on the topic,combining the art of lacquer painting with the sewing process,starting from the experience of its own creation,and deeply developing the use method and aesthetic value of the sewing process.The innovation of sewing technology is the innovation of techniques,materials and styles.Through the exploration process of experiment-question-re-experiment,find the suitable painting method of sewing technology,strive to achieve the unity of picture quality,and provide new ideas for lacquer painting innovation.Artistic performance.This article is divided into five chapters.The first chapter is divided into two parts.The first part is a brief introduction to the research background and research content.From the current situation of modern art and lacquer painting development.Under the modern aesthetic demand,the openness of lacquer painting has been released,and lacquer painting is in urgent need of innovation.As a material often used in the creation of lacquer paintings,the fabric is not deeply excavated.The sewing process,fiber materials and lacquer painting are combined to explore more possibilities of lacquer painting.The second part is a brief description of the sewing process,from the application of sewing materials in ancient lacquer art,the use of sewing materials in modern lacquer painting,the cross-domain combination of sewing process and the cross-domain combination of lacquer art.The sewing process is used for the studyability of lacquer painting.The second chapter is the theoretical thinking about the sewing process applied to lacquer painting.It is divided into two parts.The first part,from the characteristics of materials,considers the possibility of combining sewing techniques with lacquer painting.The second part explores the significance of sewing techniques applied to lacquer painting.The third chapter is a representative exploration of the combination of sewing process and lacquer painting.It is the author’s experimental experience,which is explored separately from the perspectives of materials and techniques.The fourth chapter is the author’s practical creation experience,expounding the three important thinking processes in the experiment,experimenting with the question-question-re-experiment--in the speculative way of questioning,exploring the sewing method and the lacquer painting creation combined with the appropriate creative mode,and summing up the practice experience.Chapter 5: Concluding remarks.Explain my future creative work and look forward to the bright future of modern lacquer painting. |