Nuo Opera In Gaoyi From The Perspective Of Folklore And Research On The Protection Of Intangible Cultural Heritage

Gaoyi Nuo opera "the moving of Buddha" is a folk opera with local characteristics,which is popular in the Gaoyi area of western Hunan province.As a kind of folk opera,the formation and development of high chair Nuo opera are closely related to the local folk-custom.This study takes the Nuo opera "the moving of Buddha" in Gaoyi village as the research object,and intends to analyze the folk culture in the script from the perspective of folklore,using the literature method,focusing on the relationship between Nuo opera and folk culture,and then using the field investigation method to investigate the current situation of Nuo opera,so as to put forward relevant Suggestions for its intangible cultural heritage protection.The main body of the paper consists of six parts:The first chapter briefly describes the reason,purpose and significance of this study,the current research situation,research methods and related theories.Chapter two gives an overview of the Nuo opera "the moving of Buddha" in Gaoyi village,which was learned by the master Yang Guangzhao from Tieshan village in Dongkou county.In combination with the local geographical environment and human history,the paper discusses the inheritance of Nuo opera in Gaoyi.Chapter three gives an overview of the drama of Gaoyi Nuo opera and divides it into three categories,namely,the drama of inner Nuo,the opera of outer Nuo,and the opera adapted from the influence of the drama of surrounding areas.This paper USES the method of folklore to sort out all kinds of folk events in the script,and explains them into three parts: material folk custom(production folk custom,life folk custom),social folk custom(festival folk custom,marriage folk custom)and spiritual folk custom(folk belief,witchcraft and ethical concept).Chapter four,from the perspective of structural functionalism,analyzes the cognitive function,the integration function and the adjustment function of the Nuoopera "the moving of Buddha" in Gaoyi,and probes into the folk-custom research value,the symbol value and the economic value corresponding to the function under the current social background.The fifth chapter,explore the relationship between intangible and folklore studies,and analyze the Gaoyi to exorcising "the moving of Buddha" as a non-material cultural heritage in the problems in the process of development and protection,including the villagers spiritual demand is reduced,to exorcising stage space contraction,inheritance of hard,and make culture from census,establish the heritage museum;Improve the cultivation mechanism and promote the innovative development of Nuo opera;To create a favorable legal and economic environment;Strengthen publicity efforts,innovative promotion channels from four angles to find its way out.Chapter six summarizes and analyzes the relationship between the Nuo opera of Gaoyi and the folk culture,and puts forward new problems and prospects on the protection of the intangible cultural heritage.This paper traces the origin,performance and inheritance of "the moving of Buddha" in Gaoyi Nuo opera,analyzes the folk culture in the Nuo opera,and puts forward some Suggestions on the protection of "intangible cultural heritage" in it,and finds out that there is a close relationship between "the moving of Buddha" in Gaoyi Nuo opera and the local folk culture.The relations are mainly manifested in three aspects: first,the Nuo opera "the moving of Buddha" comes from the folk people,and People's Daily life is the mother of Nuo opera;Second,the folk custom culture with the Gaoyi area characteristic enriches the Nuo opera art performance content and the performance form;Third,Nuo opera records and preserves the local folk culture,which makes it possible for modern scholars to explore the development of Nuo opera and explore the folk life in the past.